There are some movies that we just seem to buy over and over again. Of course
one of the most infamous examples is the ‘Star Wars Flick that George Lucas has
been tweaking and revising for decades. With the advent of DVDs this phenomena
has accelerated with alternate versions, directors’ cuts and now to the high
definition format of Blu-ray. One such series of films that seem to enjoy a
periodic re-release is the Alien saga. At least with these new editions most
fans agree that the new material or improved presentation make it worth
considering the investment. Personally I have fallen into this trend with
‘Alien’ and its sequels represented in my collection represented by versions
ranging from video tapes made from early cable through full screen VHS followed
by widescreen then THX audio. Naturally in this growing collection of editions
several DVD renditions going from stand releases to the previous ‘ultimate
edition’ eventually leading up to this spectacular Blu-ray edition. Looking back
at this shelf full of copies the first thing that is evident is the thought,
consideration and yes even respect for the loyal fans that the studio place into
the crafting of the first high definition treatment of these films. My friends
are quick to point out that I get movies for preview but this release is so
impressive that I would gladly pay in order to own a copy. When it comes to
movies, especially horror films there are not many that I hold in such esteem.
Many franchises similar to this make the upgrade from standard to high
definition with a quick re-mastering and a direct port of special features. Here
it is immediately evident that Fox pulled out all the stops providing a complete
makeover to all four films of the series extending this royal treatment not only
to the theatrical editions but also the more resent extended or director’s cuts
as well as the amazing selection of bonus material. The Blu-ray format allows
for and incredible amount of storage, over ten times that of a standard DVD and
it is about time that a studio took full advantage of the true improvements of
this format.
There is a slight downside to this collection using the Blu-ray features to
their best advantage. The Blu-ray specification has one feature that is a major
departure from its predecessor; the firmware that drives the player is
upgradable by the user. This means that the developers of the hardware and
software are free to make improvements to the technology without a major upgrade
problem. When I sat down to review the first of the six discs in the collection
I was greeted by a blank screen. I tried reinserting the disc and this time
after some sounds of the disc being read I received a message that my player has
to be upgraded. This was on a LG BD-390 but I had similar experiences with a
Sharp AQUOS BD-HP22U and Phillips BDP 7200. All three offered ways to download
the required software upgrade but the LG by far was the simplest. Using a hard
wired 7MB/s DSL connection the procedure took about 35 minutes. The good news is
the slight delay in getting started was well worth while; this is by far the
best Blu-ray release I have seen to date. Before you go out to purchase this set
it might be a good idea to become familiar with the specific details of how to
perform this procedure on your Blu-ray player.
One of the most user friendly features in this set is the attention to
details from the viewpoint of the user. An example is the little pop-up window
that appears when you switch between audio tracks. Instead of the typical ‘Audio
1’ there is a brief description of the sound track. For example in the first
film you can easily choose the 1979 or 2003 commentary track or one of two
isolated scores. There is even a notation of which tracks are available only on
the theatrical version of the film. The collection also makes excellent use of
the Top Menu feature which permits you to change between features without
leaving the movie. All of these technological enhancements are nice but they
really don’t mean all that much if the presentation of the actual films isn’t
able to exceed previous releases. In that regard all fans of this franchise can
rest assured that this release is better than what you might have seen and heard
in a high end theater during the movie’s initial theatrical showings. After so
many years watching these films on lesser media I seemed to remember them as
much darker and murky. These editions are crystal clear revealing details I
either forgotten or just never noticed before. One example is in the first film
as the ship approaches the planet. I recall the ring around the planet as the
settle into orbit but know the faint ring is clearly visible on the approach.
Much of what you will notice in high def is along the same line; nothing major
when taken on their own but the cumulative effect is to create a much more
realistic look to the movies than ever before. The detail on the ship and the
organic nature of the creature just pops out strongly. In the second film the
showdown at the end between Ripley and the Alien breeder you can see the damage
with exquisite detail. Likewise the audio reflects a dedication to the integrity
of the films balanced with the advances in technology. I most cases the original
stereo soundtrack is selectable alongside the re-mastered DTS HDMA lossless
audio. The sound field is expansive yet able to let you focus on the slightest
sound. The audio range runs the gamut from huge explosions the ripple through
your living room to the tiny click of the toy drinking bird in the first movie.
One thing about the bonus material; some have noted a framing error in a few of
the documentaries. This is likely due to the age of the material being up scaled
from 4:3 to the modern 1.78:1 aspect ratio. Try setting your TV to native 4:3
mode to reduce the effect.
DISC ONE: ALIEN
 | 1979 Theatrical Version |
 | 2003 Director’s Cut with Ridley Scott Introduction |
 | Audio Commentary by Director Ridley Scott, Writer Dan O’Bannon, Executive
Producer Ronald Shusett, Editor Terry Rawlings, Actors Sigourney Weaver, Tom
Skerritt, Veronica Cartwright, Harry Dean Stanton and John Hurt |
 | Audio Commentary (for Theatrical Cut only) by Ridley Scott |
 | Final Theatrical Isolated Score by Jerry Goldsmith |
 | Composer’s Original Isolated Score by Jerry Goldsmith |
 | Deleted and Extended Scenes |
 | MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream |
 | 1986 Theatrical Version |
 | 1991 Special Edition with James Cameron Introduction |
 | Audio Commentary by Director James Cameron, Producer Gale Anne Hurd, Alien
Effects Creator Stan Winston, Visual Effects Supervisors Robert Skotak and
Dennis Skotak, Miniature Effects Supervisor Pat McClung, Actors Michael Biehn,
Bill Paxton, Lance Henriksen, Jenette Goldstein, Carrie Henn and Christopher
Henn |
 | Final Theatrical Isolated Score by James Horner |
 | Composer’s Original Isolated Score by James Horner |
 | Deleted and Extended Scenes |
 | MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream |
 | In addition to over 12 hours of candid, in-depth documentaries, you now
have the ability tgeven deeper into the Alien Anthology history with nearly
five hours of additional video Enhancement Pods
created exclusively for this collection, presenting behind-the-scenes footage,
raw dailies and interview outtakes from all four films. At topical points in
the documentaries, you may access these pods to enhance your experience, or
watch them on their own from the separate Enhancement Pod index. |
 | The Beast Within: Making ALIEN |
 | The Visualists: Direction and Design |
 | Truckers in Space: Casting |
 | Fear of the Unknown: Shepperton Studios, 1978 |
 | The Darkest Reaches: Nostromo and the Alien Planet |
 | The Eighth Passenger: Creature Design |
 | Future Tense: Editing and Music |
 | Outward Bound: Visual Effects |
 | A Nightmare Fulfilled: Reaction to the Film |
 | Enhancement Pods |
 | Superior Firepower: Making ALIENS |
 | 57 Years Later: Continuing the Story |
 | Building Better Worlds: From Concept to Construction |
 | Preparing for Battle: Casting and Characterization |
 | This Time its War: Pinewood Studios, 1985 |
 | The Risk Always Lives: Weapons and Action |
 | Bug Hunt: Creature Design |
 | Beauty and the Bitch: Power Loader vs. Queen Alien |
 | Two Orphans: Sigourney Weaver and Carrie Henon |
 | The Final Countdown: Music, Editing and Sound |
 | The Power of Real Tech: Visual Effects |
 | Aliens Unleashed: Reaction to the Film |
 | Enhancement Pods |
 | Wreckage and Rage: Making ALIEN3 |
 | Development Hell: Concluding the Story |
 | Tales of the Wooden Planet: Vincent Ward’s Vision |
 | Stasis Interrupted: David Fincher’s Vision |
 | Xeno-Erotic: H.R. Giger’s Redesign |
 | The Color of Blood: Pinewood Studios, 1991 |
 | Adaptive Organism: Creature Design |
 | The Downward Spiral: Creative Differences |
 | Where the Sun Burns Cold: Fox Studios, L.A. 1992 |
 | Optical Fury: Visual Effects |
 | Requiem for a Scream: Music, Editing and Sound |
 | Post-Mortem: Reaction to the Film |
 | Enhancement Pods |
 | One Step Beyond: Making ALIEN RESURRECTION |
 | From the Ashes: Reviving the Story |
 | French Twist: Direction and Design |
 | Under the Skin: Casting and Characterization |
 | Death from Below: Fox Studios, Los Angeles, 1996 |
 | In the Zone: The Basketball Scene |
 | Unnatural Mutation: Creature Design |
 | Genetic Composition: Music |
 | Virtual Aliens: Computer Generated Imagery |
 | A Matter of Scale: Miniature Photography |
 | Critical Juncture: Reaction tthe Film |
 | Enhancement Pods |
 | MU-TH-UR Mode Interactive Experience tAccess and Control Enhancement Pods |
 | ALIEN |
 | Pre-Production |
 | First Draft Screenplay by Dan O’Bannon |
 | Ridleygrams: Original Thumbnails and Notes |
 | Storyboard Archive |
 | The Art of Alien: Conceptual Art Portfolio |
 | Sigourney Weaver Screen Tests with Select Director Commentary |
 | Cast Portrait Gallery |
 | Production |
 | The Chestbuster: Multi-Angle Sequence with Commentary |
 | Video Graphics Gallery |
 | Production Image Galleries |
 | Continuity Polaroid |
 | The Sets of Alien |
 | H.R. Giger’s Workshop Gallery |
 | Pre-Production and Aftermath |
 | Additional Deleted Scenes |
 | Image & Poster Galleries |
 | Experience in Terror |
 | Special Collector’s Edition LaserDisc Archive |
 | The Alien Legacy |
 | American Cinematheque: Ridley Scott Q&A |
 | Trailers & TV Spots |