DVD and its current heir Blu-ray provide film and television collectors an
unprecedented opportunity to build extensive libraries of their favorite films
and shows. These shiny discs not only hold more of the material you love but
they are a fraction of the sizes of their processors the magnetic video tape.
There is another aspect to these technological advancements that have changed
the way film makers ply their crafts. It is now possible for directors to
provide several versions of their films as well as extras such as storyboards
and commentary tracks to give their audience a deeper understanding of the story
and the process than ever before. Thanks to the incredible storage capacity and
mandated technological specifications like seamless branching a film maker has
previously unimaginable new venues to express his cinematic vision. One film
maker who was in the vanguard of exploring the new dimensions and possibilities
of this format is James Cameron. This visionary has racked up amazing box office
success with his films amounting gross receipts measured in the billions to
accompany his room full of swards and critical acclaim. A large part of his
success is his willingness to embrace new technologies pushing the boundaries of
making and presenting movies. He is also a lifelong fan of movies and that comes
across clearly in his work. While he is familiar with the more esoteric
techniques of directing he approaches his movies first and foremost as a fan of
the science fiction and fantasy genres. His latest masterpiece, ‘Avatar’ was
amazing in its original DVD and Blu-ray release but now 20th Century Fox has
come up with an ultimate release that will have fans salivating with delight.
The ‘Avatar Collector’s edition’ provides more about the film than you could
have ever dreamt about. While there is a standard DVD version the consideration
here will concentrate on the Blu-ray edition. After all Blu-ray has caught on
extremely fast and if you have a player there is no decision as to which edition
you will want.
Disc One
The familiar original theatrical cut of the film is contained here. This is
the 162 minute edition which happens to be the shortest of the three variations
provided in the collection. Right up front it should be noted that the 3D
version containing 8 minutes of additional material include more creatures and
extended battle is not included but even the pickiest fan will be happy with
what is included. As with the original Blu-ray edition this is going to become
the film of record to show off your home theater system; this is reference
quality audio and video. This movie will result in vibrant color bursting from
every single pixel in you display. All eight of the speakers in a 7.1 set up
will get a work out especially the sub woofer which thunders, shaking you living
room as if the epic battle was being fought right there in your living room.
There is a couple of feature listed on this disc particularly a special ‘Family
friendly dialogue which has any ‘objectionable language removed, much like you
would get it watching on broadcast TV. The other two versions of the film are
the 171 minute ‘Special Edition’ and the whopping 178 minute extended cut. The
extra menu allows you to jump directly to the new material. This is an idea that
has been long overdue especially in releases that make heavy use of seamless
branching. The closest I’ve seen to how well this is presented is the Blu-ray
release of ‘Close Encounters of the Third Kind.’ That had a road map to the
differences included. Fan should be forewarned that the video quality of some of
the additional material is less than the rest of the film. Bits are darker with
less distinct blacks than normal. This is especially evident in the longest
edition. Throughout all editions the sound is spectacular. There is a notation
that great effort was put into making sure the audio precisely matched what
Cameron had in mind for this movie.
Disc Two
This is the first of two discs devoted to additional content. There is over
an hour of new and extended scenes in high definition 1080p.
‘Users Guide for Viewing Avatar Scenes with Unfinished Shots’
 | Scene 19 – ‘Sting bat Attack’ |
 | Scene 20 – ‘Pandora Rules’ |
 | Scene 21 – ‘Jake Meets Norm (First Cut)’ |
 | Scene 26 – ‘Jake Sees Decanted Avatars’ |
 | Scene 30 – ‘Norm is a Living God’ |
 | Scene 35A – ‘Breakfast with the Scientists’ |
 | Scene 36A-37 – ‘You’re in My World Now’ |
 | Scene 64 – ‘Grandma’s Teylu’ |
 | Scene 79 – ‘Pied Piper’ |
 | Scene 81B-D – ‘Going to the Mountains’ |
 | Scene 81K – ‘Interspecies Booty Call’ |
 | Scene 91 – ‘Norm’s Attitude Improves’ |
 | Scene 93A-98 – ‘Learning Montage Section (Early Cut)’ |
 | Scene C120A – ‘We’re Buying Time’ |
 | Scene 122-123 – ‘Hunt Festival’ |
 | Scene 131 – ‘Driving Range’ |
 | Scene 131A-148 – ‘The Dream hunt’ |
 | Scene 164-172 – ‘The Challenge’ |
 | Scene 174-178 – ‘The Drums of War (Full Version)’ |
 | Scene 209-211 – ‘Escape’ |
 | Scene 224A – ‘The Eye of the Eywa’ |
 | Scene 232 – ‘You’re A Long Way from Earth’ |
 | Scene 235-236 – ‘Battle Camp’ |
 | Scene 248 – ‘Kick Some Blue Ass’ |
 | Scene 277 – ‘Wainfleet Kills Norm’ |
 | Scene 287 – ‘Neytiri Kills Wainfleet (Alt Wainfleet Death)’ |
 | Scene 288-327 – ‘The Avatars Attack’ |
 | Scene 350-351 – ‘New Life’ |
 | ‘The 2006 Art Reel’ |
 | ‘Brother Termite Test’ |
 | ‘The ILM Prototype with Motion Capture Reference’ |
 | ‘The ILM Prototype without Motion Capture Reference’ |
 | ‘Screen Test: Sam Worthington (Raw Footage)’ |
 | ‘Screen Test: Zoe Saldana (Raw Footage)’ |
 | ‘Zoe’s Life Cast (Raw Footage)’ |
 | ‘James Cameron Speech: Beginning of Live Action Filming (Raw Footage)’ |
 | ‘ILM VFX Progression’ |
 | ‘Frame store VFX Progression’ |
 | ‘[Hy·Drau’LX] VFX Progression’ |
 | ‘Hybrid VFX Progression’ |
 | ‘Prime Focus VFX Progression’ |
 | ‘Look Effects, Inc. VFX Progression’ |
 | ‘Crew Film: The Volume’ |