There are certain genres in television that have been used
for so long that any viewer can reasonably assume that they have seen just about
every variation on the themes possible. The most popular and persistent
categories of TV series is indubitably the police procedural. Shows have been
built around everything from the uniformed officer to the stalwart detective and
even moving on to the chief of the department as the main character. Whether
it’s the one honest cop fighting a corrupt department or, in more recent years
the rogue cop who success rate is inexorably tried to removing rivals from his
own criminal enterprises. Then, in 2013 the Cinemax premium cable network
premiered ‘Banshee’. Other than the fact that some characters carry badges there
is very little that remains unchanged from traditional format of this type of
series. The main character’s name is often so well-known that it is uses the
title of the series, here, during the entire run of the series he is known only
by the identity he assumed. That man was about to become sheriff of Banshee,
Pennsylvania was shot to death during an attempted robbery of a local bar.
Television has certainly seen its share of crooked detectives and criminally
inclined officers of the law but in this instance the criminal who has assumed
the post turns out to be one of the best lawmen the town has ever had. The new
sheriff does manage to uphold the peace in some fashion but his presence draws
more violent behavior than many war zones. The titular town of Banshee is
adjacent to her sizable Dutch Amish community that generally remains separate
from the town’s affairs as they tend their farms. The one notable exception is
the local crime boss who was raised as Amish but mostly broke from the community
in order to pursue his criminal ambitions. The imposter Sheriff’s girlfriend and
former partner in crime has settled in the community changing her name
remarrying and raising a family. Her father happens to be the boss of one of the
major organized crime syndicates on the East Coast. A major part of the
brilliance of the series is how the writing consistently brings the audience to
new twist and turns. The series began a completely deconstructing virtually
every aspect of the police procedural and rearranging the pieces to form one of
the most unique well-crafted series come along and quite a long while.
Despite its rural appearance Banshee could never be described
as a peaceful place to live. Or realistically it is always been a violent place
to die. Certainty of this outcome to so many of the residents of the community
increase dramatically with the appearance of a member of a neo-Nazi hate group
that naturally enough specifically targeted the one African-American deputy,
Emmett Yawners (Demetrius Grosse). The white supremacist, Hondo (Tyson Sullivan)
was believed to have been sent by the former Amish crime boss of the
municipality, Kai Proctor (Ulrich Thomsen). Hondo not only gunned down the
deputy Simon and his wife as well. The fragile détente between Proctor and the
Banshee Police Department had escalated into a full-scale war ever since the
appearance of Lucas Hood (Antony Starr) and his assuming the office of Sheriff.
Hood, along with Deputy Siobhan Kelly (Trieste Kelly Dunn), and hood
second-in-command, Deputy Brock Lotus (Matt Servitto), locate Hondo and gun him
down. Afterward Brock answers what was extensively call which turned into a
sexual encounter with his ex-wife, Emily Lotus (Tanya Clarke). Typical the small
town nearly everybody has some degree of interaction with everyone else. An
example of this is Emily had been the caregiver of Leah Proctor (Jennifer
Griffin), the mother of Kai Proctor until she finally succumbed to pancreatic
cancer. Proctor is not just responsible for most of the criminal activity in and
around the town but his deep-seated psychological issues and emotional problems
created a tangle of interpersonal issues that frequently lead to unbridled
violence or passion encounters. Early in this season such an effect is found
when he wakes up in bed next to Rebecca Bowman (Lili Simmons). Initially she had
lived a double life as a developer Amish girl by day but at night assuming a
while persona frequently attending raves. She has successfully seduced Hood,
which as it turns out appears to be a requirement for any beautiful woman in the
series. Todd of the pretense she turned her back to her family and the Amish
community deliberate Proctor learning much about how he manages his criminal
activities. Just to complicate things a bit further Rebecca is Kai’s niece
There is another affectionate contributor sizable amount of
turmoil to the community, the Kinaho tribe of Native Americans. After that the
chief dies of cancer the position is taken over by Alex Longshadow (Anthony
Ruivivar) who has some radical ideas about modernizing the tribe, specifically
by opening a casino. He is often seen accompanied by his sister the beautiful
and lethal Nola Longshadow (Odette Annable). One distinctive example her strong
ties to a Native American heritage is her deadly expertise in the use of
Tomahawks both as a throwing weapon and in close quarter combat. She has
determined hatred for anybody who stands in the way of her brother but has a
particular vendetta with Clay Burton (Matthew Rauch), the personal assistant and
bodyguard for Kai Proctor. Superficially he looks like an accountant and
impression greatly enhanced by his habit of wearing bowties in his need for
glasses. Underestimating him will be a fatal mistake for anyone who encounters
him. He is completely ruthless and following orders of Kai Proctor. He is not
only quite adept at killing but has an expertise in prolonging torture that can
only be approach by Tomas de Torquemada.
This is an exceptionally fast-paced series that consist of
only 10 episodes per season. Complete is season story arc each episode was the
home to near perfection which is achieved to such a degree that the scripts have
a literary quality to the. Inevitably somebody is going to be beaten to a pulp
and the series maintains his dedication to realism by readily showing the
battered and bruised body which always results from such an encounter. Typically
it is hard who was nursing several injuries at any one time. Always lurking in
the background is hood’s former boss known as Mr. Rabbit (Ben Cross). Rabbit is
after work because of a gem heist he financed that led to a major betrayal. In
on both the crime and the deceit was rabbit’s daughter, Anastasia (Ivana
Milicevic). While Hood was in prison she had run to banshee to hide from her
father eventually marrying the town’s prosecuting attorney Gordon Hopewell (Rus
Blackwell). Under the name of Carrie Anastasia had a son, Max (Gabriel Suttle)
who is now about eight years old. They also raised her daughter, Deva (Ryann
Shane). Early on in the series it was revealed that was indeed her father. After
many years of hunting down his daughter and the man who betrayed him, Rabbit is
finally dead removing the necessity for constant hypervigilance and obfuscated
identities.
The series does have a predilection for killing off major
characters in this third season is no exception. Several fan favorites meet with
untimely and frequently violent demises leaving the testing for the upcoming
season for somewhat open-ended Cinemax is gaining a reputation that is
well-deserved for having original series that are based upon strongly defined
characters. As one final example of how this series managed to so strongly
distinguish itself from the traditional police procedural, the police station is
a former car dealership that specialized in Cadillacs. This resulted in everyone
calling the police station, the Cadi, due to a broken marinated sign out front.
This is quite fitting since it is taken are invaluable classic genre interested
into something completely unique.
Like many fans of the genre I had my doubts as a first on
watching the series that they would be able to maintain essential deception
while still allowing the animosity between the various factions to continue. One
thing that helps is that Sheriff Hood just can’t seem to let go of his life of
crime. After all he does have a steady job, albeit one that is more dangerous
than that of a high scale thief, but it should be sufficient incentive to take
his current situation as the boon it is. Lucas always seems to be able to his
closest friend in the town an owner of the local bar, Sugar Bates (Frankie
Faison) into one illicit job after another. It has the third season opens that
is exactly what is going on. It would seem that there is no necessity for such
antics since the perennial Big Bad is out of the picture and the people
responsible for the death of Deputy Emmett Yawners (Demetrius Grosse) have been
suitably dealt with Banshee should be fairly peaceful. The head of the neo-Nazis
responsible for the murder of the African-American deputy and his wife, Hondo
(Tyson Sullivan), is not arrested but rather cornered as Hood and his remaining
deputies Brock and Siobhan emptied their guns and to him.
Decides that before he can leave there is one more piece of
business that must be resolved; he was killed Proctor. By doing so remove the
kingpin of organized crime in the area and hopefully allow the town in the
neighboring Amish community to live peacefully. While there is always been some
degree of problems with the Native American casino a gang formed by highly
disgruntled members of the community, The Redbones. They are radical
isolationist believing that all entry Wert Native American control and the white
man should be driven from it. They become so brazen that they mount an attack on
the Sheriff’s office. The precipitating event of this extreme action is that
Proctor had been apprehended and was in police custody. The gang’s leader,
Chayton Littlestone (Geno Segers), demands the crime boss be brought outside
turned over to them sensibly so that they could execute him themselves. Things
have begun to become intimate between Lucas and Siobhan when she is murdered by
Littlestone Lucas begins to lose it psychologically and elucidate seeing her
nearly everywhere he looks.
This is a series that continues to remain compelling Donna
and despite the loss of many central characters but perhaps as a result of it.
Writers have proven that they are not averse to killing off any character as
long as it intensifies the degree of drama contained within the numerous
storylines. Cinemax have been late to the table for premium cable original
programming but is certainly wasted no time in coming out a niche for itself.
Their forte appears to be ensemble cast consisting of exceptionally strong
characters portrayed by actors of consistently exceptional abilities. Drama will
continue next year as season four has been approved and currently is in
preproduction.