It has to be incredibly difficult to follow something that made
history. Everyone knows he name of the commander of the first Apollo mission to
land men on the moon; Neil Armstrong, but far fewer can name the commander of
the follow up mission, Apollo 14; Alan Shepard. This even though Shepard had his
own historic mark as the first American in Space. In the extremely fickle world
of entertainment it is nearly impossible for a television series to come after
one that has been completely loved and embraced by a generation of viewers, this
was the dilemma that the production crew had in the late nineteen eighties when
they set out to resurrect one of the most famous an influential series ever;
‘Star Trek’. By then over two decades had pasted sine the original series left
the air but the franchise was still kept alive by the series of feature films
set in the same point in the future and featuring the same cast as the original.
Now a completely new cast and crew would have to do the unthinkable; replace a
series with the most vocal and detail oriented fans ever. On the week of
September 28, 1987 the theory of whether such rabid and loyal fans would accept
an heir apparent to the Sci-Fi throne was put to the test and ‘Star Trek: The
Next Generation hit the air waves. For quite awhile prior to the debut there was
an enormous buzz around the slightest details allowed out by the production
company. Fans anxiously waited with mixed emotions what the new crew would be
like and, most importantly, how would the new Starship Enterprise look?
Fortunately for the millions of fans the man behind the Next
Generation was the same creative genius that started the franchise in the first
place; Gene Roddenberry. This went a very long way to calming the trepidation
felt by the legion of 'Trekkers’ around the world. The new series would be an
extension and elaboration of Roddenberry very specific and detailed view of our
future. Thanks in no small part to the imagination sparked by TOS real life
technology was rapidly approaching the level depicted on that series; the nifty
flip out communicator was becoming common place as a cell phone and medical
diagnosis equipment looked like it came directly from sick bay. By placing the
new series about 80 years beyond the first the writers could push new technology
embracing a new look and feel that was still consistent with TOS. The control
panel lost the buttons and slide controls in favor e computerized touch screens
and the new ship was larger, sleeker and more realistic looking than ever. The
missions were less military taking on more of a scientific and exploratory
focus; we were socially evolving as a species. This was reflected in the new
captain Jean-Luc Picard (Patrick Stewart) who was not only a tactical genius but
was one of the Federation’s most able diplomats. The episodes n this collection
were all considered new enough so that the great time and expense of digital
re-mastering was not warranted. This was the first time I was able to re-watch
some of these episodes on a high definition home theater and even without a
re-master the result was surprisingly good. In general the colors were bright,
vibrant and alive but they didn’t ‘pop’ like the re-mastered TOS sister set. The
video did up convert well to 1080p without introducing any discernable
artifacts. The Dolby stereo audio also did well when re-processed by my home
theater receiver using one of the 7.1 enhanced modes. This allowed the dialogue
to move forward on the sound stage without losing any of the audio effects.
Relics
Season 6 episode 4 October 12, 1992
This was an episode that would establish a bridge of continuity
between TOS and TNG fans. The writers came up with a cleaver way to bring back
an original cast member even though that series took place over eighty years in
the past. The Enterprise discovers a Dyson sphere, gigantic structure that
encloses a sun and is one earth orbit in diameter. On the surfaces is a vessel
that crashed seventy years ago. The transporter was still active and alive in
the pattern buffer was Montgomery "Scotty" Scott ( James Doohan). This allowed
an interaction and subsequent contrast of the old and new guard of the
Enterprise. It validated the new series for many of the TOS diehard fans. One
foot note; the episode was written by Ronald D. Moore, the creative force behind
the re tooling of ‘Battlestar Galactica’
The Inner Light
Season 5 episode 25 June 1, 1992
This is a major departure for any aspect of the franchise. There
are no space battles and little in the way of special effects. It is a gentle
story Picard is affected by a deep space probe and in twenty real time minutes
lives out the life on a member of an extinct civilization. Almost none of the
episode takes place on the Enterprise and virtually none of the crew is present.
It is a fantastic showcase for the acting ability of Stewart and a different
aspect of the art of science fiction.
Cause and Effect
Season 6 episode 18 March 23, 1992
This is one example of something that became a mainstay of the
Star Trek; playing around with time and space. Here the Enterprise is caught in
a temporal loop constantly repeating the events that lead up to the destruction
of the Enterprise. Data appears aware and has to find some method to transmit
the solution from one iteration of the events to another.
Tapestry
Season 6 episode 15 June 15, 1983
One of the strangest characters introduced by TNG is that of ‘Q’
(John de Lancie), am omnipotent being with a perchance for deadly mischief and a
strange fascination for the enterprise and its crew. His godlike powers are
limited only by his wrapped imagination. Here he shows Picard an alternate life
if different decisions were made after a near fatal accident in his past.
Posted 11/08/09