Here’s the premise for a premium tier cable series. The patriarch of a well
to do family is intent on increasing his scope of power and accumulated wealth.
Hatch a plot with his son and trusted consigliere he sets about to rig a pivotal
election to consolidate his political grasp and employs the services of a deadly
but loyal hit man to eliminate those that dared to stand in the way of his
Machiavellian schemes. You might think that this is a taut modern drama about
the Mafia but you would be off by almost five hundred and eighty years. This is
not a reboot of ‘The Godfather’ or reimagining of ‘The Sopranos’, it is an
exceptionally well crafted series about Pope Alexander VI who reigned over the
Roman Catholic Church during the turbulent end of the fifteenth century.
Actually, the application of the term Machiavellian while syntactically correct
is historically inaccurate. Niccolò Machiavelli was a contemporary of this Pope
and his ruthless son and incorporated many of their tactics into his seminal
publication, ‘The Prince’. You will only need to see the first few minutes of
the initial episode to see how this historical figure helped define
Machiavellian strategic method. This will inevitably draw you in but it is the
impeccable attention to details and brilliant execution that will keep you
coming back for more. This is the kind of series that in many ways better
experienced on Blu-ray. This allows you the opportunity to completely immerse
yourself in the roar of the public pageantry juxtaposed to the subterfuge and
intrigue carried out in the shadows. This show contains every element necessary
for a captivating story albeit one intended to mature audiences. If you think
that period pieces are inherently dry or pretentious then you are about to have
a major shift in your perceptions. Showtimes ‘The Borgias’ goes far beyond any
mob story you have ever enjoyed where the stakes altered the very course of
history. The men depicted here played chess using the nations of the globe as
pieces and people as disposable pawns.
The current perception of the Catholic Pope is usually a kindly old man in
fancy adornment waving beneficently at the adoring crowds. While crowds of the
faithful have always showed the men holding this title in the highest esteem the
motivations of the Holly See have changed drastically over the centuries. At one
point it was one of the most politically influential positions in the world and
men who stop at nothing to obtain it. The series opens in the summer of 1492,
the year Christopher Columbus sailed west to the new world. Pope Innocent VIII
was on his death bed and the College of Cardinals has been convened in
anticipation of electing his successor. One of the leading contenders for the
soon to be vacant office is Rodrigo Cardinal Borgia (Jeremy Irons). He is a
shrewd and ambitious man seeking to elevate his family to the highest possible
stations in life. He has three children by Vannozza dei Cattanei (Joanne Whalley),
his long time courtesan. The eldest is Cesare (François Arnaud), a cleric and
trusted advisor of his father. While the conclave of Cardinals is sequestered he
works behind the scenes bribing the families of pivotal Cardinals eventually
swaying the election in his father’s favor. The white smoke is released and
Rodrigo Borgias exits as Pope Alexander VI. This ignites the bitter rivalry
between the new Pope and Giuliano Cardinal Della Rovere (Colm Feore) who openly
hates and opposes the new pontiff. He openly charges the Pope with Simony and
seeks to have him declared morally unfit to hold the Throne of Peter. This is
quite a realistic ploy since the Pope has taken a young and beautiful mistress,
Giulia Farnese (Lotte Verbeek). Her position in Borgias’ favor threatens
Vannozza who is afraid of being replaced. The other two adult children find
themselves at the center of a plot for global domination. The younger son, Juan
(David Oakes) was given over to the military, a wise move back then while their
sister Lucrezia (Holliday Grainger) whose beauty and intelligence was being
cultivated to use as a political enticement, the primary function for daughters.
Also pulled into this moral and political quagmire is the Pope’s mistress,
Giulia Farnese (Lotte Verbeek). One thing you might notice here is although
women were little more than chattel they were quite expert at manipulating the
men to achieve their own agenda. In many ways they were more dangerous than the
men. The Pope must hold himself above reproach, at least officially, so through
proxy of Cesare condottiero, Michelotto Corella (Sean Harris). This was a
position that was basically the assassin or hit man in charge of removing the
obstacles to his employer’s goals. This man was deadly, stealthy and fiercely
loyal.
This series demands the full 1080p and lossless audio afforded by Blu-ray.
The pageantry of the Holy court comes alive with the incredible attention to the
textures and color pallet that adds a dimension of realism to the series. The
writers waste absolutely no time in plunging the audience into the thick of
things. The plots and machinations that Borgias employs to gain the Papal throne
just sets the stage for the complicated plans that unfold, intersect and tangle.
The usual caveat applies here that this is not the History Channel so you can’t
rely completely on the veracity of the material. The thing about the historical
figures portrayed here; the real events contained the salacious, deceitful
schemes shown here. Still, do yourself a favor and pick up a historically
accurate book on the subject. It will have more sex, violence and action than
you might imagine. This was the time when the Renaissance was getting underway
and mankind was on the verge of major advancements in the arts, architecture and
science. It was also the period of time that was dominated by the city states;
small by comparison to the world powers of the time but important to the
socio-political structure of the world. ‘The Borgias’ is a tour de force of
complex writing, powerful acting and outstandingly stylistic direction. It is by
far one of the best things to happen to TV in a very long time.