Over the decades of film history there have been many boxing flicks. After
all, a good boxing story can combine action, drama and even romance. In the
Parthenon of this genre such illustrious fare as Rocky, Raging Bull and the more
recent Million Dollar Baby sit. Now, they have to move over to make room for
another film, Cinderella Man. Part of the criteria to enter this acclaimed group
is the film needs to exceed beyond a story about boxing, it has to delve into
the rawest corners of human motivation. Cinderella Man is such a movie.
People of my generation grew up listening to our parents and grandparents
relate their experiences during the Great Depression. In the thirties the world
was in an unprecedented economic crash that left millions unable to earn enough
to feed their families. One man in such a dire circumstance was Jim Braddock
(Russell Crowe). The story opens just before the great crash when Braddock was
at the top of his boxing game. He was able to provide nicely for his wife Mae
(Renée Zellweger) and their three children Jay (Connor Price), Rosemary (Ariel
Waller) and Howard (Patrick Louis). Braddock is not making millions but his
success in the ring does let them live comfortably. Just as the Depression is
about to set in Braddock has the misfortune of breaking his right hand. He
begins to lose bout after bout resulting in the revocation of his boxing
license. Injured and unable to earn money Braddock soon descends into poverty.
The Braddock family moves from their own home into a cramped little apartment.
Braddock literally takes food from his own mouth to feed his hungry children. He
finds a menial job on the docks of Hoboken tossing heavy bags of grain,
shoveling endless loads of coal. Since his right hand was injured he built up
his left arm with such labor, something that would soon serve him better than he
could ever imagine.
This humbled man reaches bottom when his wife ships the children off to live
with more solvent relatives. Braddock cannot bear to think that his family has
been split up because he can’t provide for them. He had vowed to his son that
they would stay together and now even his word has been devalued. While begging
for spare change Jim comes across a friend from the old days, Joe Gould (Paul
Giamatti). Joe offers Jim a one time chance to get back in the ring and earn a
$250, a goodly sum back then. With his incredible left hook Braddock wins the
bout and gains notice among promoters. Soon Braddock is at the level where he is
to be pitted against the champ, Max Baer (Craig Bierko). Here was a boxer so
powerful that his punches have already killed two men in the ring. Mae was
relived when Jim had to give up boxing, she supported her husband but she could
never bring herself to watch him ply the sweet science. Now, her worse fears are
being realized, her husband, the father of her children is to face an opponent
that could kill him.
Cinderella Man is not really a boxing film. While boxing is the stage for the
story the main theme presented here is the indomitable human spirit. In many
ways boxing is like a Hitchcock McGuffin, something vital to the people in the
film but only incidental to the audience. There are some of the most realistic
boxing sequences ever filmed here. Crowe was injured numerous times during
production. What makes this film so good is not its punch but its heart. This is
a story of the love a man has towards his wife and children. Even when they
faced the most difficult times imaginable he had hope that he would once again
be able to provide for them. Now it seems that most professional boxers are
after the fame, glory and riches their careers can bring. Braddock sums up his
motivation in one interview, that he only wanted to buy food for his family. To
face Max Baer was to face death himself. Baer was a larger than life character,
the unstoppable force in the ring. Braddock was the ultimate underdog, pulling
himself from a failed boxing career to face the champ. Like Seabiscuit, this
film shows how the American public loves to cheer on the little guy. This was
especially true during the dark days of the depression. People could live
vicariously through the victories of such heroes; it gave them hope that one day
they too would win.
Without the strong central casting this film could easily degraded into a
soap opera. Jim Braddock might have been played as a one dimensional man, a
boxer who wants to return to his glory. Thankfully the producers enlisted the
talents of one of the best actors in the film industry today, Russell Crowe.
Like his previous biographical roles (The Insider and Beautiful Mind), Russell
inhabits the skin of this man. He throws himself completely into the
presentation of Jim Braddock as a real, believable human being. Most of us
cannot become emotionally invested in a boxer, a man whose trade is to beat up
another human being. Crowe gives us something to identify with, a man that wants
to feed his family. Crowe can play everything from Roman general to humbled
boxer with a quiet deep running emotion that reaches out to the audience. Renée
Zellweger is perfect as the steadfast wife. The look on her face when she
realizes that she must send away her own children touches the core of human
emotion. She portrays Mae as a simple woman; she can find some degree of
happiness just knowing her family is safe. She is tormented by having to sit by
and watch the man she loves deeply fail to provide for them. Her Mae knows that
what Jim has to do is dangerous but she stays with her man. Even though Paul
Giamatti is now getting leading man roles his real talent is as a character
actor. While many may think that this is a secondary part of the acting world
Giamatti demonstrates just how important roles like this are. He is the sounding
board for Braddock, the man that offers the way out to a desperate man. Giamatti
has that everyman look that the audience identifies with immediately.
I have literally grown up watching Ron Howard. I can remember him as a boy
slightly younger than myself on the Andy Griffith show and enter his teen years
on Happy Days. Little did anyone suspect back then was that this epitome of
American clean cut youth would become one of the best directors in film. Howard
is a natural story teller. He can bring any tale to his audience in a way that
provides a little something for everyone. There is action here, romance and
determination. It is impossible to see this film and not feel better about the
human condition. His sense of framing a scene is impeccable. Howard’s use of
lighting sustains the emotional context created by his actors. Howard avoids
every possible downside here. The emotional scenes are balanced with action,
exposition is never overly long, you feel Braddock’s plight instead of being
told. This is without a doubt one of a great director’s best works to date.
Universal scores a solid knockout with the DVD release of this film. The
screener I received does note that some features may change for the actual
release but I’m reasonably certain that most of the features presented for
review will be available in the release cut. The video is presented in a defect
free anamorphic 2.35:1. The color palette is reference quality with excellent
contrast between dark and light scenes. The 5.1 audio fills the room. There is
better than average separation between the channels. The sub woofer sounds out
with every punch landed. For release there will be separate Pan & Scan,
Widescreen and two disc collector’s edition. Do yourself a favor and opt for the
two disc set. All set share some extras such as a commentary by Ron Howard and
screenwriter Akiva Goldsman and a second commentary by Cliff Hollingsworth, the
author of the original story. The deleted scenes also have a commentary by
Howard. Fight Card is a featurette that details the casting process, For the
Record gives the history of boxing and The Man, The Movie, The Legend goes into
the production of the film. There is also a look at the real Jim Braddock. On
the two disc set there is also additional deleted scenes (also with Howard’s
comments), Russell Crowe’s personal journal and actual footage of the Baer
versus Braddock fight. Get this film and enjoy something uplifting with your
family.
Posted 11/29/05