Networks may spend millions of dollars advertising their series but the fact
is one of the most common methods of discovering a show is the typical male past
time of channel surfing. Guys, you know what I mean; sitting on the couch,
remote in hand randomly flicking through the plethora of channels fruitlessly
searching for a place to pause for a few minutes. It was during one such session
a few years ago I stumbled on a little import from England called ‘Whose Line is
it anyway?’ Crew Carey attempted to import the series to the States but I
preferred the original British incarnation. The show featured that strange
methodology of comics referred to as improvisation. Improv may seem silly and
disorganized but it is one of the most difficult forms of comedy to master; a
reason why it is considered a part of a young comic’s training. The series
consisted of a host stationed behind a desk situated just in front of the
audience. On the stage sit four comedians serving as ‘contestants. The premise
is a game show but as the host explains the point awarded are arbitrary and
don’t matter at all. the British version Famed comedian Peter Cook received ten
million points just for being Peter Cook. Two of the regular participants of
this exceptionally quirky show were American Brad Sherwood and his Canadian
cohort Colin Mochrie. Both were also regulars on the variation produced here in
the States. Mochrie and Sherwood anchored their stage careers on their
involvement in these shows taking the ‘games’ on the road for comedy concert
dates. A series of such performances took place in January 2010 performance at
The Pabst Theater in Milwaukee. The proceedings became the basis of the DVD ‘
Colin Mochrie & Brad Sherwood: Two Man Group’. Those you count yourself a fan of
either or both versions of the series are going to find this disc a very
enjoyable evening’s entertainment.
While the fundamental construction of the various ‘games’ remain the same,
pretty much identical to either version of the television show, but there are
some subtle difference employed to make the transition to a stage performance
easier to accomplish. The pair do make a point to tell the audience that what
their do in their performances is unplanned; well most of it. Of course one of
the little tricks used in improvisation it to ask the audience for suggestions
and just ‘select’ a preferred answer even if it was not exactly offered by the
audience members. It must be kept in mind that Sherwood and Mochrie have been
doing this for a long time working within the framework of these games. After so
much practice the pair has grown into a mutual, often unspoken understanding of
each other which creates a formidable comedy team. In some of the segments you
can practically see the non verbal synchronization sparking between them. One on
the main differences between this performance and the TV version is greater
audience participation. There was some used in the TV shows, on both sides of
the pond but here the madcap duo bring unsuspecting audience members on stag to
become the focus of the strange attention of Colin and Brad. The first segment
required a couple from the audience who have to provide the direction for the
guys to move. The fellows remain still waiting to be implicitly positioned by
one of the audience members. The result was a hysterical combination on
embarrassment and inappropriate touching. The man controlling Brad seemed to
prefer moving him by goosing butt while the woman seemed to get acquainted with
Colin’s crouch.
The next game required a volunteer to supply sound effects for Mochrie while
Sherwood’s Foley needs are provided by a row of the audience passing the
microphone down the line. The setting for this routine was a couple of friends
on a white water trip. Suffice it to say ‘
Police Academy’s Michael Winslow has absolutely nothing to worry about.
Another setup for the pair is a mock game show where once again members of
the audience are pulled in for a version of ‘Jeopardy’ that requires questions
on random cards and the audience shouts out questions as the lamentable victims
are caught in the middle. One of the oddest games is referred to as sideways.
The guys lie on their sides against a wall on the floor as the camera is pointed
down on them. Gravity appears to have gone awry as the two roll around the
tilted set. The most bizarre and actually sadistic game requires them starting
sentences going through the alphabet, now that was on the British TV show but
here they included a twisted addition for the States. The comedians performed
barefooted and blind folded on a stage peppered with 250 set mouse traps. To
make it a little more interesting more traps are dangling a various heights in
front of the performers. The people watching hoot and holler as the two set on
traps of have them snap at their faces. Colin cheats at one point removing his
blindfold tossing traps at his friend’s crotch. A couple of voices ring out
‘Cheater’ but that does nothing to discourage the ‘illegal’ activity. It does
seem that both men have gone through enough times to know each other’s reactions
perfectly. One thing that this format has in its favor it provides more time to
each bit than was possible on TV nut kept short enough to keep things moving
along.
Posted 03/13/11