Certain actors help to create the genre of films they are best known for. In
the case of Jackie Chan few people on this planet can do action comedies like
him. With his combination of fantastic skills in the martial arts, a natural
ability as a stun man and an innate sense of humor he is almost always fun to
watch. The thing is actors are actually human beings and as such want to grow in
their craft. They want to expand what they can do and which types of roles they
take on. For Chan this placed him in several more seriously scripted films;
Crime Story (1993) is one such film. Like so many of his best more comical work
Chan plays a police detective, Eddie Chan. What places this role apart from most
of his other work is this is a very dark film, based on a true story. Instead of
relying on gravity defying martial arts this film showcases Chan’s acting
talent. The first clue to this is the opening shoot out that uses guns instead
of battling with whatever object just happens to be at hand. Don’t get this just
because you see Jackie Chan’s name on the cover. Get it for the well constructed
plot and acting.
Corrupt businessmen are not something specific to the United States. In Hong
Kong a group of men feel that more direct action than protest is required. They
form a cult like organization to kidnap and potentially kill those who they feel
has conducted their business in an unethical fashion. This group pulls together
men from completely different walks of life; people very unlike to associate
together under more normal situations. Raymond Hung (Kent Cheng) is a senior
detective in the well regarded special unit; the Organized Crime and Triad
Bureau. Normally they would lead the investigation into the activities of the
many crime families including kidnap and murder. This group includes men Hung
should normally consider adversaries. Ng Kwok-Wah (Chung Fat) is the head of the
Wo Lok Tong Triad. He rules his criminal empire with his brother Ng Kowk-Yan
(Ken Lo). Also in this new cult is the director of a powerful brokerage house,
Simen Ting.
Wong Yat-Fei (Law Hang Kang), is a successful businessman who has always
considered his hunches were based on some extra sense that leads him to the
right decisions. He had a suspicion that something was wrong and he is about to
be taken. Previously, Wong had been kidnapped so he has a very real basis for
his fears. Eddie Chan is assigned protection duty to keep the man safe. What was
thought to be a kidnapping attempt turns out to be just a labor dispute and it
looks like Wong is not a target after all. The false sense of security is soon
shattered as Wong is really kidnapped later that day. A very large ransom is
demanded with the cult stating that Wong will be dead of their demands are not
met. Chan has only a short time to find the criminals and rescue his charge
before he is murdered. The real downside here is Chan is assigned to work for
Hung, one of the men he is looking for. Chan started out as a man obsessed,
unwilling to take time off as suggested by the police psychiatrist. Now, with
the clock counting down and unable to trust even his own partner he is a man on
a mission.
While the name of director Kirk Wong may not be familiar to most American
audiences he is an award winning and well respected Hong Kong film maker. This
film is just one example of his taut, dramatic and action filled flicks. When
considering a film like this we Americans have to be able to appreciate the
stylistic differences that are present in the Hong Kong crime thriller. Here in
the States a movie like this would come out more like one of the ‘Die Hard’
films. It would be big budget, filled with computer graphic effects and splashy.
Over in Hong Kong the emphasis is more on the flow of the film. Naturally there
are explosions, car chases, gun fights and martial arts battles but the focus is
more on the story. It is over an hour before Chan gets to show off his martial
arts skills. This is a dark film, concerned with the internal struggle that the
main character is undergoing. The pacing here is slower than an American count
part would be. More time is provided to build up the plot and explore the themes
of corruption and obsession. The story was based on real events which do add to
the film. This was originally intended as a Jet Li project. While still in the
pre-production phase of the film Li’s agent was murdered by the Hong Kong
Triads. Li was naturally upset and chose not to do a film about organized crime
at that time. The film was also so dark that disagreements between Wong and Chan
were frequent. Although un-credited Chan took over the direction but Wong was
left as the director of record. Wong did set the overall tone of the film but
Chan managed to make the film more of what would be successful over seas.
When most people think of Jackie Chan the image of a slightly goofy man comes
to mind. After all he is one of the best around when it comes to physical
comedy. He is able to take a pratfall or perform his martial arts routines in
such a way as to always entertain the audience. Here Chan proves the old adage
that an actor proficient in comedy can do drama. He plays it with a serious tone
here. Chan explores the darker side of his character and is able to hold the
attention of the audience. He still is afforded the opportunity to showcase his
well known abilities but here Chan has to emote more than usual. The good news
is he was up to the challenge.
The film is presented on DVD by the Weinstein Company in association with
Genius Pictures and issued under the Dragon Dynasty label. The technical
specifications here are far better than the previously released and now
discontinued version by another studio. The video is a 1.85:1 anamorphic
transfer. The color palette is well done with no signs of compression flaws. The
audio offers several choices. There is a Cantonese Dolby 5.1 and original mono
sound track as well as dubbed English in Dolby 5.1. English subtitles are also
provided. There is a commentary by Kirk Wong that is interesting considering the
artistic conflict between him and Jackie Chan. Also included is an interview
with Wong, another interview with writer Teddy Chan and some deleted scenes.
While not the typical Jackie Chan vehicle this is a well done thriller that
deserves watching.
Posted 08/01/07