It has been said that familiarity breeds contempt, it also gives rise to
comfort. To be placed in completely unknown surroundings can be a fear greater
than most can imagine. This was the basic premise of a classic little science
fiction piece called Cube. There a group of strangers awaken in a room 14 feet
cubed only to find each doorway leads to an identical room, some with deadly
dangers. After Cube was Hyper Cube, where the rooms and dangers increased but
the dramatic impact was completely lost. The original creative team was
reassembled for Cube Zero. With this latest, perhaps last installment, the
audience is taken back to the beginning, a time before the first Cube was used.
Eric (Zachary Bennett) works for an older scientist, Dodd (David Huband),
together it is their job to help monitor the progress of the experiment. Eric
discovers that there was a mistake in the selection of who would be placed in
the experiment. We now learn that those that wake up in the cube consented,
albeit without being able to remember, to enter the cube. All of the human lab
rats are condemned criminals, choosing a chance in the cube as an alternative to
their own executions. It turns out that one of the criminals, Cassandra
(Stephanie Moore), is a political prisoner, undeserving of her fate. Eric has a
momentary attack of conscience and enters a service elevator into the cube where
he hopes that his knowledge of the inner workings of the cube can be used to
rescue Cassandra. Since this is a government project, hints are given that it is
the good old USA, there is a ‘company’ man, Mr. Jax (Michael Riley) that is
determined to foil the humane attempt of Eric and restore the experiment back on
track. What ensues is entwining cat and mouse games, the prisoners are looking
for a way out, Eric is searching for Cassandra and Mr. Jax is trying to stop
Eric. A little convoluted and definitely a departure from the minimalist
excellence of the original.
Since there seems to be nowhere to take the Cube story at this point it looks
like this is going to be a trilogy. It’s just as well, since Cube Zero does
answer some of the questions that the first two installments raised. The problem
is part of the charm of the first film was the fact that the audience was left
guessing. Sometimes it is better to leave the viewers with such questions; it
adds to the mystery and opens the film up to many hours of deep, meaningful
discussions over a few beers. It seems the people involved with the later two
films forgot or just ignored what made the first film work, simplicity in design
and execution. Personally, I like it when a film ends and is open to
interpretation. This is usually far better than when the writer realizes that
it’s the end of the movie and he overlooked an ending, forcing some less than
satisfying conclusion.
In the second film gore ruled the day as the types of traps became bloodier
and more frequent. Cube Zero, while overlooking what worked in the first film
did embrace work didn’t in the second. There are flame throwers, torrents of
corrosive acid and the old stand by wires that turn the human body into so many
little bloody cubes. The problem here is we have seen this all before, better in
the first film and redundantly in the second. This franchise suffers the same
fate as many of the slasher film series like the Jason and Freddy flicks, there
are only so many ways to slice and dice hapless victims before the audience
yawns. In Cube the bloodshed was integral to the plot; yes the first flick had
an actual plot. It set up an environment of imminent danger that was used to
bind the characters. Now the violence is there because it has become part of the
Cube films, it is just there because it is expected.
There is an attempt to make this film more socially and politically relevant.
We now are privy to the fact that the ‘government’ is using this elaborate house
of horrors for some nefarious set of experiments. Even with this addition there
is nothing novel to be seen. We have all had our fill of evils of the
government, how uncaring they are and how overly willing they are to strip
people of the most fundamental human rights and dignity. In many ways finding
out about the world immediately outside the cube is like Dorothy peeking behind
the curtain to discover the Great Oz is nothing more than a regular man. We all
suspected that the cube had operators but seeing them like this was a let down,
it completely destroyed the scene of the unknown.
The cast all have fairly substantial resumes, mostly with roles called ‘gang
leader’ or ‘admitting nurse’, no names, just descriptions. Many hold such actors
with less regard than the big stars but it is their contributions that add
realism to a film. As such the cast can act it is just unfortunate that there
was little to really grab onto and work with here. Considering this Zachary
Bennett does well in his part as the young, idealistic hero. He displays a
better range of emotions than most of his co-stars. He makes Eric a conflicted
and reluctant hero. On one hand he was partially responsible for the plight of
the victims by merit of his participation, but he makes the moral distinction
between using violent criminals and a political prisoner. Stephanie Moore is
young, attractive and ready made to make the audience hope she survives. While
we don’t really care about the abuses heaped upon the others Moore does let us
become emotionally invested with her character to allow us to watch the film
unfold.
Director/writer Ernie Barbarash is no stranger to less that well received
sequels. Among his credits are the production of such films as American Psycho
II and The First Nine and Half Weeks. Here he just made some decisions to pander
to the blood thirsty instead of keeping the mystery that worked so well in the
original. The pacing is a little off here. This is a result of cutting between
inside and outside the cube.
While the technical specifications of the DVD are fairly good the film will
only be of real interest to true, die hard ‘Cube Heads’. It is better than the
second film, an easy task, but falls short of the first.
Posted 1/29/05