Death has always been a prime subject for the black comedy, to permit the
audience at the universal fear on the end of your own life. No television series
has taken on this subject in such a novel and intelligent manner as the Showtime
series ‘Dead Like Me’. Unfortunately, this series has met an untimely and
premature demise, Showtime ended it after just two seasons, ah, and the good die
so young, speaking of the young dying that brings us to the focus of the series,
Georgia ‘George’ Lass (Ellen Muth). Shortly after her eighteenth birthday she
was on a lunch break from a boring temp job when the toilet seat from the MIR
space station came crashing down to earth killer poor George. She is recruited
into the ranks of the Reapers, spirits in human bodies that take the souls from
people just moments before they are to die. Her supervisor, Rube (Mandy Patinkin)
informs George and her fellow reapers who is to die with yellow post it notes
containing the initial, place and estimated time of death. Although George was a
slacker in life now, in death, she has to learn about life and actually grow up
and take responsibility. So many series and films have considered teen aged
angst but none have taken this unique perspective.
It turns out that the afterlife is just one huge bureaucracy. Rube is the
supervisor for Unnatural Deaths, usually bizarre accidents caused more often
than not by Gravelings, creepy little demonic creatures that take great pleasure
in causing these fatal events. This second season allowed the audience to get to
know George, Rube and the small band of reapers in a far more intimate and human
way than the first season. Now that the audience was comfortable with the basic
concepts and rules of this universe the writers where free to explore the back
stories of each character in greater depth. Daisy (Laura Harris), a former low
level actress in the thirties shows that she is actually as lonely in death as
she was in life. In one particularly touching scene from the
first season, the group has the mundane
task of recording the last thoughts of decades of reaps. Mason (Callum Blue)
accidentally discovers Daisy’s ‘Why has no one ever loved me’.
During this second season Mason stops his
constant effort to bed Daisy and befriends her, actually
offering his friendship. We also start to learn just what
happened to Rube prior to his death, that he has a daughter and was reluctantly
involved in some criminal activity. Just as the story got to the point of true
exposition Showtime canned the series.
In this season George truly grows as a human, ironic considering she’s dead.
First of all she loses her virginity, something she almost immediately regrets.
George also has to face witnessing as an outsider the disintegration of her
family. Her mother Joy (Cynthia Stevenson) is divorcing her father Clancy (Greg
Kean) and considering the sale of the home George grew up in. George also
watches from afar how her sister Reggie (Britt McKillip) is growing up and how
much her sister misses her. While George dismissed her sister in life now that
she is dead she realizes just how important family actual is. Because of this
she turns to the other reapers as her new family.
Some more of the hierarchy of the reapers is explored in this season. It
turns out that the sweetest assignment for a Reaper is natural causes in a
nursing home, most of the deaths are peaceful and the reaps all have name tags.
We also see a little boy reaper that George befriended in the first season who
takes care of animal deaths. It appears that promotions, job placement and
paperwork are all part of the afterlife.
This was such a wonderful cast that worked so well as an ensemble that it
makes the cancellation of this series more the shame. It is rare that a group of
actors gel so well, each willing to turn the spot light over to the others for
the benefit of the series. There are basically three casts at work here, The
Reapers, the Happy Time Temp Agency and the Lass family. While it is rare for
them to overlap they each carry their part of the story lines in a manner that
is always entertaining. Ellen Muth is absolutely perfect here as George. She has
a natural way of acting that translates to forging an immediate emotional bond
with the audience. In the first season she was the rebel without a clue, now,
she has grown personally, accepting her place as a reaper and realizing all she
has to learn. Mandy Patinkin is more than just the supervisor to the group of
undead; he is the heart and soul or the group. Part father confessor, part
mentor he guides his charges as if they where is own children. We even get an
all too brief scene where he gets to show off is astonishing tenor singing
voice. Laura Harris was a replacement in the first season but here she is a
vital member of the group. She shows us a fully developed character in Daisy,
always using her sexuality as a wall to disguise her inner isolation. Harris has
excellent control and range as a actor. Callum Blue’s portrayal of Mason also
shows excellent growth. In the first season he was a small time hustler, always
looking for drugs, money or anything else he could pilfer from the bodies of his
reaps. In this season Blue opens up the character emotionally, letting not only
Daisy in but becomes a big brother to George.
The writing and production values of this series set it above most of what
can be found either on broadcast television or cable. Unfortunately, the series
was caught in a battle between MGM who produced the series and the distributor,
Showtime. MGM was fully behind continuing the show but Showtime seemed to have
opted for ‘Fat Actress’ instead. While attempts to sell the series to another
network have failed at least we now can have every episode on DVD. The writers
always provided scripts that entertained while exploring some facet of human
nature. It is rare that a series can both bring a laugh and make you think but
this series never failed in this regard. Instead of letting the rating have a
chance to catch on this series joins such shows as ‘Firefly’, ‘My So Called
Life’ and ’Freaks and Greeks’, quality too much for the executives at the
networks to understand.
Thankfully, one of the greatest benefits of DVDs is studios release shows
like this often finding greater commercial success that they might have
imagined. As the UPC number reveals, this season set is released through MGM not
Showtime. MGM carried their commitment to the series over to this release. The
full frame video is flawless, not a glitch or artifact to be found. The Dolby
audio is crystal clear, providing a full sound field. The extras included with
this box set provide a making of featurette that will delight the fans and some
deleted scenes. Rest in Peace, gone but thanks to DVD, not forgotten.
We lead our lives, and when they end, sometimes we leave a little of
ourselves behind. Sometimes we leave money, a painting, sometimes we leave a
kind word. And sometimes, we leave an empty space
Posted 7/3/05