Of all the holiday people celebrate the one that has been used as the basis
for literature and film nothing beats Christmas. Even within that specific genre
one story set during this season the most popular is without a doubt ‘A
Christmas Carol by Charles Dickens. Originally published ad a novella in 1843
this tale of the bitter, lonely Mr. Scrooge relieving a personality adjustment
through the intervention of three spirits represents Christmas past, present and
yet to come. This story has never been out of print in all that time. Also
during that time just about every conceivable variation of the tale has been
produced from dramatic to animated, not to mention utilizes as the foundation
for thinly disguised presentations. In 2010 this perennial favorite was give a
science fiction make over when it was told set in the wonderfully diverse
universe populated by Doctor Who and his trusty companions. Over the last few
years the BBC has initiated a Christmas tradition of their own, a special
episode of Doctor Who. Typically this movie length feature kicks off the coming
season of this the longest running science fiction in television series. It was
only a matter of time, no pun intended, before the venerable British tradition
collided with the one involved with the adventurous Time Lord. The result is
‘Doctor Who: a Christmas Carol’. If you have never heard of the Doctor;
congratulations for coming out of that fifty year long coma. Most people with
even a modest familiarity with science fiction have seen a few episodes of this
series. To date there have been eleven actors taking on the role thanks to a
brilliant plot device of regenerating the doctor into a new human form. This
provides for an internally consistent way to change leads actors without the
Darrin switch controversy with ‘Bewitched’. As of this moment Matt Smith has the
honor of playing the 11th doctor and this special coming after the
conclusion of his inaugural season.
Behind the scenes of this special were two veterans of the resent
incarnations of the Doctor, screenwriter Steven Moffat and director Toby Haynes.
Moffat has also written for the controversial British series ‘Coupling’ and
Moffat has directed a number of series for BBC including ‘Being Human". This was
one of the most watched shows in recent history on BBC and the show’s producers
were not about to leave such a project in the hands of the uninitiated. Any
creative position on this series is considered a highly coveted job in British
entertainment. The announcement of new Doctors or their companions is typically
done under a cloak of secrecy that rivals the British Secret Service usually the
Doctor is in accompanied by a trusty companion. For Doctor eleven his faithful
companion is Amy Pond (Karen Gillan) making this one of the one of the youngest
set of Doctors a companion on record. This special opens up on a luxury
interstellar cruise ship holding over four thousand guests and crew. Among them
are Amy and her new husband Rory Williams (Arthur Darvill). The cruise was a
honeymoon present from the Doctor which helps to explain Amy’s ultra sexy police
costume and the Roman centurion outfit sported by her hubby. The giant ship
passes through the cloudy atmosphere resulting in a near complete loss of
control. They are certain to crash to their death if they don’t regain control
so Amy places an emergency call to the Doctor. When he arrives he is unable to
directly use his TARDIS to pull the massive ship free so he devises another
strategy; a specialty of all incarnations of the Time Lord.
When you think about it this Dickens classic is perfect for this venue since
it is fundamentally a story about time travel and no one does that better than
the Doctor and id TARDIS. The doctor travels down to the planet discovering a
mansion with an antenna capable of controlling the clouds. The owner of the
house is Kazran Sardick (Sir Michael Gambon). He is the Scrooge character in
this telling; misanthropic, biter isolated and disheartened. He keeps the
population of the planet down by controlling the clouds and the main source of
survival, the fish that swim through the clouds. This is due to a unique
electrostatic property that is also responsible for interfering with the
cruiser. At the heart of Kazran’s objections is a young woman, Abigail
(Katherine Jenkins) in cryogenic status. The doctor travels back in time to an
emotionally pivotal in the old man’s youth. It turns out that the young Kazran
was in love with the girl. The Doctor arranges to visit Kazran and Abigail each
Christmas Eve to help them enjoy the one night a year that Abigail can leave her
frozen Pod. In reintroducing the older Kazran to images of this the Doctor
becomes the ghost of Christmas past. It turns out that Abigail’s singing voice
entrances the fish in the sky including a shark that swallowed half the Doctor’s
sonic screwdriver. He gives the other half to Karan to call the shark back when
needed. Amy visits with Kazran in the form of a hologram showing him the
passengers of the ship singing as they await their fate thus putting in the role
of the ghost of Christmas Present.
While the story presented here fits snugly with the general mythos and
continuity of the series several aspects of it provide a ‘one-off’ feel. Unlike
most adventures set while the Doctor is actively traveling with a companion Amy
has only a peripheral part to play. This is explained away by having on her
honeymoon but it is unusual within the generally accepted context of the series.
Another plot device that falls slightly outside the established norm is the role
the TARDIS plays in the flow of the story. Typically it is used to get the
Doctor and companion to the setting for an episode. Here, its ability to travel
through time and space becomes a proactive means to drive the story and resolve
the issue at hand. This is not a direct adaptation of the classic story but
rather an imaginative slant utilizing many of the themes incorporated in the
original except geared more towards light entertainment than a morality lesson
or social commentary.
Posted 02/06/11