Although hour long television series have traditionally been dominated by the
broadcast triumvirate; medical, legal and cop dramas occasionally a show about a
family creeps into the perception of the audience and catches on. Typically
these series straddle the two most fundamental genres, comedy and drama in an
effort to reflect the laughter and tears intrinsic to most families. I do
admit that over the years I have discovered a number of these shows have become
guilty pleasure of mine. From ‘The Gilmore Girls’ to ‘Judging Amy’ there is
something especially appealing about this kind of series that I and millions of
others find relaxing even reassuring. It’s like a warm bath for the mind after
yet another relentless day out in the real world. Some might infer this is
a feminine trait but let’s face it; there is nothing wrong with a man relaxing
after work in this fashion. Recently the first season of such a series was
released on DVD; ‘Eight is enough’. My late wife and I used to use it to unwind
finding it quite successful in that quarter. Don’t get too used to the
upbeat theme song. The instrumental selection was replaced by one of the
sappiest vocals in the history of television. The premise was following the
rather large Bradford family. Ostensibly the series was based on the accounts of
newspaper columnist Thomas Braden who collected his recollections into as novel
of the same name. Here patriarch Tom Bradford (Dick Van Patten) overseers his
brood of eight children ranging in age from eight to twenty three. This spread
in ages assured the greatest potential demographic and a broad selection of
possible plot lines for the episodes. There was a sudden change to the general
direction and central cast lineup early in this first season. He actress playing
Tom’s wife Joan, Diana Hyland, fell ill and died after only four episodes were
completed. The character was written out of the remainder of the first season.
In the second season Tom has been a widower for a year. Usually a major change
such as this would result in an instant shark jump but back then networks were a
bit more committed to their programming.
The Bradford clan in descending birth order was; David (Grant Goodeve), 23,
Mary ( Lani O'Grady), 21, Joanie (Laurie Walters), 20, Susan (Susan Richardson),
19, Nancy (Dianne Kay), 18, Elizabeth (Connie Newton) 15, , Tommy (Willie Aames
),14, and Nicholas (Adam Rich), 8. A major factor in the success of this series
was the diversity in the spectrum of ages. The show was able to smoothly slide
between the issues we face as young adults trying to determine the course of our
lives through the angst that is typical of the teen years and the playful antics
of a grade school child. This range also assured the ideal mix of comedy and
dramas necessary to drive a series like this.
The first episode here has titled ‘Never Try Eating Nectarines Since Juice
May Dispense’. It is a saying Tom and Joan used to remember the age of their
children. Personally I feel that when the number of your children gets to the
point that you need a mnemonic device to keep them straight it is time to
consider some form of birth control or at least name tags or personalized
shirts. The tight family dynamic is established right from the start with
the pilot episode. The opening shot zooms in on a park densely populated
with Bradfords; the traditional family reunion. Many young actors used this
series as a springboard to start their careers. In this first episode the role
of eldest Bradford David was played by a young actor named Mark Hamill. He left
the series when is movie career took a sudden upswing later that year thanks to
a little flick called ‘Star Wars’. Mom, an aspiring photographer snaps pictures
as her brood scramble around in a lively game of two handed touch football.
Back at home Joan and teenage daughter Elizabeth have a heated discussion over
her refusal to wear a bra. When the young Bradford asks dad if the women at work
wear bras he wisely ducks the question. This is fairly indicative of the
problems the family faces although the topic of as young girls under garment was
just a little bit naughty for network family programming.
The comedy is heartfelt and the drama heartwarming but the writers managed to
keep things just short of sappy. There were attempts to address more pressing
issues families in the late seventies face. The parents receive a phone call
from the local police that Elizabeth was detained for possessing narcotics.
When Tom and Joan get to the station house they learn the facts. The girl
was out with friends when they ran a stop sign. The boy had some pot on him.
Elizabeth knew he smoked it, adding everyone does but didn’t know he was holding
some pills. This is also part of the general format of the dramatic side of this
show. The problems were more realistically present than usual for the time but
in general the Bradford kids are high spirited (no pun intended) but
intrinsically good kids. The parents are depicted as doing a very good job
raising such a large contingent but they realize that their kids are influenced
by peer pressure and external forces.
The series realistically depicts life in a large family from the well
choreographed dance at the breakfast table to the internal conflict especially
between the father and oldest son. This did lead to a natural rationale for
David moving out on his own albeit while maintaining an almost sense constant
presence at the family homestead. This series remains the epitome of the family
comedy-drama. It does have a laugh track but you can overlook it thanks to the
consistently gentle way it tells these stories. There is a little something for
everyone here and although many might say its corny but there is a genuine place
for a show like this in your collection.