Of all the types of television genres out there one
that has undergone the most changes over the years has to be animation. When we
were kids in the fifties animation was seen mostly in the form of old cartoons
from a decade or so prior to us watching them. They were usually harmless
although originally not intended for children we never perceived anything deeper
in them. Then in the seventies animated movies became popular with such things
as ‘Fritz the Cat’. In the comics and the resultant film the animation was
sexually explicit and showed a massive amount of drug use. Of course throughout
all these years there was always the Disney animated movies now challenged by
studios like Pixar for the best possible animation. These are mostly just
advancements in the techniques and style. What really change the face of
television animation was a little set of characters called the ‘Simpsons’. This
was a breakthrough for series creators Matt Groening and David X. Cohen. He
created a brand new type of animation and most importantly a new way of
presenting a story with cartoons. After the success of ‘The Simpsons’ Groening
was permitted to explore a stranger world that Springfield. He created
‘Futurama’ a show about a rag tag group of losers living the third millennium.
The series was picked up by Fox to make a sort of Groening hour on Sunday
evening but didn’t faire as well in the ratings as is older brother. Ratings are
not always a realistic indication of how well received a series is and this one
gathered a large group of loyal fans making it a certified cult classic. Fox has
responded with a series of four planned made for television flicks. The first
two; ‘Futurama: Bender's Big Score’ and ‘Futurama: Beast with a Billion Backs’
are already out and now joined by the third installment ‘Futurama: Bender's
Game’. This is true to the series with its irreverent and often dark humor. This
is a long way from the old cartoons as you possible could get. If you are not
already a fan of the series or previous movies this will certain put you in that
category.
The twisted universe or Futuram is a warped extension
of our own world. The characters all live in ‘New New York; a vast metropolis of
flying vehicles and pneumatic tubes carrying people around. Philip Fry (voiced
by Billy West) was born in the twentieth century and used to work as a pizza
delivery guy. He was frozen and reanimated in the 31st century now
working for the interstellar ‘Planet Express’. The owner of the operation, an
I’m using that term in the loosest possible way, is Fry’s boss Professor
Farnsworth (voiced by Billy West) and is a direct descendant of Fry’s. The
professor is a mad scientist, one of the oldest men alive and is more than a
little senile. The only thing you can be sure about his inventions is they will
cause problems. The pilot of the Planet Express space ship is Leela (voiced by
Katey Sagal). She is beautiful and robust and also a Cyclops. Fry’s best friend
is the titular Bender (voiced by John DiMaggio). He is a robot who has many
human characteristics; unfortunately all thee bad ones. Bender is selfish and
always looking to scheme anyone around. All of his time is taken up with
drinking to excess and selling out his friends. Also part of the team is a few
other bizarre characters. There is Hermes Conrad (voiced by Phil LaMarr) the
company’s account. Amy Wong (Lauren Tom) is a intern but doesn’t need money
since her parents are the riches people on Mars. Last there is the crustacean
Dr. Zoidberg (voiced by Billy West). He is a consummate coward and even though
he is a doctor has trouble telling human males from females.
Like many of the stories for ‘Futurama’ this one takes
a problem in our current society and applies the venerable literary technique of
reductio de adsurbum. In this particular case the topic is fuel costs. In this
world the prices of dark matter has risen dramatically. All interstellar
transportation is dependent of this fuel and as always it is little businesses
like Planet Express that gets hits the hardest. As the film opens Fry is playing
‘Dungeons and Dragons with the professor’s clone Cubert (voiced by Cubert
Farnsworth) and some other friends. Bender tries to join in but since he doesn’t
have the imagination option, sold separately, he cannot tell reality from the
fantasy of the game. He is sent to the HAL Institute for Criminally Insane
Robots. It turns out that the one source of dark matter is a mine owned by the
sinister Mom Corporation. Mom (voiced by Tress MacNeille) looks like a sweet
elderly lady but she is more cut throat than Tony Soprano. Relying on some back
story from the television series and previous movies the professor was once the
ex-employee and one of the ex-husbands of Mom. He had invented the crystal that
turns dark matter into fuel but it was stolen by Mom. It also just happens that
the crystal looks like a multisided D&D die. Unrealistic coincidences are common
place in this universe. As the crew tries to get to the bottom of the dark
matter problem Bender starts to see everyone as a character in a ‘Lord of the
Rings’ type D&D game. Leela becomes a centaur, the professor a wizard named
Greyfarn and Amy is the queen of the ‘waternymphos’. Bender bolts a visor to his
face and sees himself as a knight in armor. This flick is a combination of
fantasy, science fiction and satire that is incredibly well constructed.
Adding to the enjoyment of this flick are all the
little pop cultural references that the writers include. Rosie the robot from
‘The Jetson’s’ makes an appearance at the HAL institute that will have you
rolling on the floor. Fox certainly knows how to present a DVD. They technical
specifications are great. There are also a lot of extras to keep the enjoyment
in high gear. There is a cast and crew commentary track that is as funny as the
feature. Also included are ‘Story Animatic’, ‘Futurama Genetics Lab’, ‘D&D&F (aka
"Dungeons & Dragons & Futurama’, ‘How to Draw Futurama in 83 Easy Steps’’
bloopers and deleted scenes. Rounding things off is Bender giving an anti-piracy
warning and a preview of the forth film in this series. It is great that this
series has found a continued life in these ninety minute movies. The show was
just too good to go into that dark good night. This installment is good as a
stand alone movie but you will most likely want to invest in the other two and
look forward to number four.