For most of us, time is a one-way street. Suppose you were able to make a
U-turn on that street. This is the predicament that Harlan Williams (Keith
Szarabajka) finds himself. You see, Harlan was a janitor in an agricultural
station that is really a front for secret government experiments. The scientist
in charge, Dr. Richard X. Toddhunter (Bill Raymond) ignores a red light warning
and the subsequent explosion covers Harlan in a strange green substance and
radiation. Harlan begins to experience reverse aging. While this may seem like a
boon to most of us, especially for those of us facing their later decades, it
turns out to be a nightmare for Harlan. The hand of Steven King, a man that
knows how to balance horror, government conspiracy and real life, penned the
story and screenplay. While many have come to feel that King has become uneven
with his plots of late, this vintage, 1991 story hits the mark. For one thing
there is genuine character development. The relationship between Harlan and his
wife of many decades, Gina (Frances Sternhagen) is beautifully developed. They
are like two old trees whose branches have entwined over the many years
together. They still love each other very deeply, are fully committed to each
other and willing to see each other through these bizarre circumstances. In
charge of the installation is General Louis Crewes (Ed Lauter), a military man
of limited understanding and ambitions of his own design. Nominally assisting
him is Terri Spann (Felicity Huffman), the head of security. Young and
beautiful, Terri has legs and knows how to use them. In her short skirts and
classy business jackets she knows that while men are looking at her body her
mind is free to ascertain the darkest of secrets. Then there is Jude Andrews
(R.D. Call), a special agent of the Shop, a covert government department
concerned with strange applications of even stranger technologies. A line of
dialogue best summarizes his character; "If you are keeping anything from me I
may have to perform some dental surgery with a drill and a number two bit.
Sometimes I go in through an open mouth, other times through the check." He is
brutally determined, a master at covert operations and as heartless a character
as possible. The Shop is a favorite theme for King and is well placed here. This
series blends multiple genres like the flavors of a fine meal. The audience can
readily identify with the Williams, understand the military mindset and accept
the government conspiracy.
For the most part the casting of this mini-series was effective and
imaginative. As noted, the chemistry between Szarabajka and Sternhagen is
incredibly tender, considering the two decades that actually separate the
actors. The audience will immediate accept them as parents or grand parents,
ordinary people thrust into extraordinary circumstances. There is just a sense
of familiarity about these characters. Personally I enjoy the theme of a
reasonable pushed beyond reason and rarely have I seen this played out as well
as it is here. Huffman nails her role on the head. Wife of actor William H.
Macy, she has a varied and successful career. The character of Terri could have
degenerated into a stereotypical hard-edged career woman. Instead she plays the
role with a lot more depth. Terri has worked for the more nefarious aspects of
the government and had hoped this posting would be a place to clear her head and
redefine her life. Instead she is pulled into a vortex of sanctioned murder,
scientific wonder and the personal lives of two very nice people. Call as Shop
agent Andrews also brings a bit more understanding to the role than is usually
present in a TV mini series. True he is a cold-blooded killer but there is a
sense that he feels himself to be a necessary evil to ensure the success of the
country he loves. The one part that was over done in my estimation was the mad
scientist Richard X. Toddhunter (Bill Raymond). He plays the role too over the
top, submitting to far too many clichés. One notable example is during the
explosion he literally scurries out of the lab on all fours in a comic emulation
of the lab animals he uses in his experiments.
There were two directors listed for this series, Allen Coulter and Kenneth
Fink. There is no breakdown available as to which director was responsible for
which episodes of he series but their styles meshed incredibly well. Both
directors have made good careers in the direction of notable TV shows. Coulter
was at the helm for many of the more critically acclaimed episodes of the
Sopranos. He has also done episodes of Sex in the City, The X Files and
Millennium. His fundamental stylistic approach is to bring the audience into the
story. He uses a number of two shots, playing the reaction of one actor off
another. Between the two directors the pacing of this series is very well done.
With a total running time of just less than four hours the story seldom lag, you
are swept from one scene naturally it the next.
This is a very well done disc up to the usual standards of Artisan. True to
its TV roots the presentation is in full screen with a modest Dolby stereo audio
mix. Originally, the series was presented with a 90 minute first episode
followed by six hour long ones. The DVD has over 50 chapter stops but no breaks
to indicate the placement of the original episode breaks. This is a novel
approach by Artisan. They consider the whole series in its entirety not
bothering the viewer with repeated displays of the opening sequence or closing
credits. While the series is just over a decade old the video is shows
absolutely no signs of degradation or flaw. There was a laser disc of the series
some time ago and apparently the digital source used then is employed here. The
stereo audio does lack a bit of separation presenting more like two channel
Dolby mono than true stereo. Still, as with many of the little gems from Artisan
you should buy this disc for the story and acting and not hold the lack of high
tech bells and whistles against it. This is a worthy addition to the Sci-Fi
shelve of any collection.
Posted 12/30/04