On November 22, 1968 television history was made. It
was a controversial moment that only lasted a brief coupe of seconds but it
rippled throughout society. Now you might think that something this
groundbreaking would have happened on some cutting edge show and in some ways it
was. That night on a little science fiction series, ‘Star Trek’ the American
television audience witnessed the first broadcast of an interracial kiss. With
the retrospective distance of forty years this may not seem like a big deal but
back then it certain was. Some affiliates in the south outright refused to
broadcast the episode. Only one year before in 1967 a movie hit the theaters,
‘Guess Who’s Coming to Dinner’. It dealt with an interracial romance between an
African American man and a white woman. Back fort decades ago interracial
relationships where for the most part taboo. Only a few years ago a little
sit-com, ‘What I Like About You’, depicted an interracial kiss and it didn’t
even register as part of the plot. Now that episode is rerun on a regular basis
on the ABC family network. It is amazing to have watched such social changes
happen within our lifetimes. Now the subject of romantic interracial
relationships is considered something that can be used as the basis of a comedy.
Of course there are some who still oppose such things. Many cite racial vigor or
purity but they are not exactly the target audience for this film. The film
under consideration here is ‘I'm Through with White Girls (the Inevitable
Undoing of Jay Brooks)’ by film maker Jennifer Sharp. This is an above average
comedy that works on just about every level you can imagine. It is funny,
entertaining and imaginative; just what you need for a light hearted rom-com. It
comes to DVD thanks to Image Entertainment and it is one that is well worth
checking out.
While the protagonist of the story is male the
viewpoint is definitely female. Of course the reason for this is both the writer
and director are women. This does provide a much different vantage point and
direction than the typical romantic comedy. Lately even if there is a strong
female presence in the story much of the humor is derived from the male point of
view. The translation here is crude, juvenile jokes. As the writer Courtney
Lilly holds her story above all of this. True, many of the laughs are at the
expense of the man in question here. He is commitment phobic and initially at
least wants the correct girlfriend rather than a soul mate. Prior to this
screenplay Lilly only has a few credits to her name but it is a case of quality
instead of quantity. She has writing credits for two widely acclaimed television
series, ‘Arrested Development’ and ‘Everybody Hates Chris’. She also went on
after this project to the little gem of a basic cable series ‘My Boys’. This
last show gave her experience in writing for a woman in a man’s world; something
that may not direct relates here but does afford Lilly a unique look at the
story and its characters. This is still a touchy and difficult subject even
after decades of progress in race relations. One of the factors that affect the
protagonist, Jay Brooks (Anthony Montgomery) is the way some African American’s
look at interracial dating. He is seen by some as going for the Euro-centric
version of the American dream which means having a white woman on his arm. This
is seen by such people as selling out and ignoring beautiful, talented women of
his own race. Ms Lilly handles this delicate and even still controversial topic
with diplomacy, grace and style. The most refreshing thing about the script is
the lack of stereotypes it contains. Naturally, the even the ancillary female
characters are fully formed and believable. The men have there silly moments but
this is a comedy and lets face it guys many of us act this way in real life. She
could have prolonged Jay’s search for the right black woman a bit since is
looking did provide much of the best comedy here. As it is Lilly chooses to let
him find the young lady early enough in the story to allow for a reasonably
paced romance to flourish. The script is sharp and witty; something that hasn’t
been seen in independent romantic comedies is a long while. It does not pander
to the lowest common denominator but challenges the audience to keep up.
Directing this film is Jennifer Sharp. This is her
freshman opus but you would hardly know it. She has a command of the film and
vision that translates to pure delight in the watching. Sharp permits the story
to unfold organically. There is nothing here that feels forced to contrive. She
starts with a little background of Jay and the influences in his life that push
him towards the titular decision. It is shown as a flawed man, aren’t we all,
who is ultimately looking for someone who he can be happy with. Playing the part
of the main female lead here as the character Catherine Williamson is Lia
Johnson. She is a truly multi talented woman who also served as the producer and
main drive behind the film. One aspect of her work here is her willingness to
let others in on making this film a reality. Unlike so many in the Indy movie
world she obtained the talents of a writer and director instead of feeling it
was necessary to do everything herself. Apparently she was responsible for
obtaining the funding for the film providing a good portion of it personally. In
front of the camera she is wonderful and steals every scene. Johnson has the
energy and natural sense of comic timing to make a film like this work. The
press release states the DVD will feature a commentary track by Ms Johnson but
unfortunately the preview copy did not contain it.
Jay is a somewhat affected man earning a nice living
as a graphic artist. The very first shot we get of him is writing at the coffee
table with a cigarette in a long holder. In the background a woman’s voice comes
from the shower. He frantically grabs all of his stuff and flees the apartment.
We then see a montage of young women who Jay has dumped in this un-chivalrous
fashion; dashing out while they are not there to confront him. All of the young
women are white. There reactions range from laughter to anger. He becomes
convinced that his problem is not with himself by his perchance of dating white
women. He initiates ‘Operation Brown Sugar’; his plan to find the perfect black
mate. Eventually he meets a somewhat wacky woman, Catherine. She is half black
and have white Canadian and completely wacky. She is an aspirating novelist so
they at least both share a common passion for artistic endeavors. Of course the
relationship takes off but there are the typical quirks to get over.
This is a great film that is funny and doesn’t get
bogged down with the subject matter. Finally there is something that everybody
can appreciate and enjoy. Again it is unfortunate that the announced extras were
not available for screening, I would have loved to hear Johnson’s take on the
making of this film. It is well done but not for the whole family. The rating is
not set yet but it may come in around a R rating. This is a great date movie but
more importantly it is an excellent film overall.