After decades of watching thousands of movies I admit was beginning to get
more than a little jaded at what passes for films today. Thrillers lack any sigh
of thrills while there is no mystery and little drama contained respectively in
those genres. Formulas have taken over the creation of films to the point that
originality has been supplanted by cookie cutter film making. Thankfully there
are some writers and directors plying their crafts that refuse to join the
massive herd of mediocrity. It is not atypical to find an auteur willing to
experiment within the safer confines of independent film but to see someone bold
enough to enter strange waters on a studio sixes budget is noteworthy on its own
accord. Fortunately one such film maker is more than up to the challenge;
Christopher Nolan. He constantly surprises both fans and critics with his
ability to refresh even the most stagnant film genre turning it into something
fresh and exciting. Because of this it is a bit difficult to place the movie
‘Inception’ into a preconceived notion of what a film should be or what category
or genre applies. This film is truly unique something that stands out like a
bright star on a dark night. ‘Inception’ is definitely not light entertainment
or something that you can watch in the background slipping your time with
another task. This story demands your full attention. It requires proactive
thought on the part of the audience putting some effort into understanding what
is unfolding in front of you. This is not to say that the movie is a chore to
watch; it most certainly is not work on your part. It highlights the difference
between passive entertainment and something that will actively transport you out
of your everyday mode of thinking to a place of dark wonder and sinister
imagination. This film takes on one of the primary purposes of science fiction;
to stretch our imagination taking us places that seem impossible to even
conjecture. At the same time as the story provides incredible entertainment it
also serves to hold our society up to a scrutiny that reveals aspects of our
society in a fashion off the beaten track of thought.
I have been a fan of Christopher Nolan practically from his first feature
length movie. The thing that is special about his films is the inherent
unpredictability of his work. From his film ‘Memento’ where the main character
could not form new memories and the story played out in reverse order. He
followed that up with the strange but brilliantly cast and staged ‘Insomnia’.
This built a reputation for Nolan as a risk taker and innovative film maker.
Still, before a studio will ante up a sizable budget a film maker must be proven
in the all important measure of the box office. This was more than proven with
his reboot of the previously ruined Batman franchise with ‘Batman Begins’ the
incredibly successful intense view of the character in ‘The Dark Knight’. This
demonstrated to the audience that Nolan was able to strike a balance between
experimenting within his craft and putting paying people into the theater seats.
‘Inception managed garner critical acclaim brining in almost twice its $160
million budget, making it second only to ‘Dark Knight’ for a film by this
talented film maker. This cinematic masterpiece was written and directed by
Nolan; this is not an uncommon combination of functionality in film but in this
instance it is best for Nolan to bring the ideas and concepts from his script to
life as the story’s director. His genius lies in his ability to take the mundane
portions of reality we all take for granted and twist them into something dark,
strange and altogether wonderful.
As usual Nolan probes the recesses of our minds. In ‘Memento’ he took apart
the most defining aspect of our humanity, our memories. With ‘Inception’ another
humanistic common experience is subject to his special attention; our dreams. We
all dream and do so for most of our lives, in this world Nolan has manufactured
dreams are not the ultimate private sanctuary; they are subject to invasion from
sinister external forces. Dominic Cobb (Leonardo DiCaprio), with his partner
Arthur (Joseph Gordon-Levitt) engages in an extremely covert and potentially
dangerous form of corporate espionage, invading the dreams of their subject in
order to extract vital information. In the opening the subject at hand is a
notable Japanese mogul, Saito (Ken Watanabe). Unfortunately the invader’s own
mind can interfere which happens here. Cobb’s late wife, Mal (Marion Cotillard)
is still very much alive in his memories frequently interfering with the success
of his missions. For the person entering the dreams the can experience pain but
if the die while inside they awaken in the world. One psychological danger
inherent in this line of work is determining whether you are in a dream or
reality. To this purpose Cobb has a keepsake from his wife, a toy top. Whether
it spins or falls indicates Cobb’s current reality. It turns out that Saito is
working on a more insidious use of dream technology, inception, where an
individual can plant a thought in the unsuspecting, sleeping target. After a
bought of blackmail Cobb reluctantly agrees to join. The first mission is Robert
Fischer (Cillian Murphy, the son of Saito’s terminally ill corporate adversary,
Maurice Fischer (Pete Postlethwaite). The idea to be implanted is for the son to
dismantle his father’s financial empire making it ripe for takeover by Saito.
Upping the stakes circumstances are changed so that if you die in the dream
world you remain in limbo for the rest of your life.
This is just one of the most intelligently crafted films I have seen in a
very long time. just because it requires think don’t shy away from this movie.
it is an action packed mélange of intrigue, subterfuge and imagination liker
noting you have ever seen before. The Blu-ray release is perfect for a visual
treat such as this where the sound track is something that pulls you into
another dimension.
Extraction Mode - Infiltrate The Movie's Imaginative Landscape To Learn How
Christopher Nolan, Leonardo DiCaprio And The Cast And Crew Designed And Achieved
The Film's Signature Moments
Dreams: Cinema Of The Subconscious - Can The Dream World Be A Fully Functional
Parallel Reality? Joseph Gordon-Levitt And Leading Scientists Take You To The
Cutting Edge Of Dream Research
Inception: The Cobol Job - Comic Prologue In Full Animation And Motion:
See The Events That Led To The Beginning Of The Movie
Posted 11/24/2010