When I was growing in there were basically two companies that made the comics
boys my age read. First there was DC Comics responsible for such staples as
Superman, Batman, Green Lantern and the Flash. Then there were Marvel comics
they brought the world the X-Men, Spiderman, Daredevil, the Fantastic Four and
the Incredible Hulk. The main difference, obvious even to my young mind, was the
Marvel comics dealt with their super heroes in a more realistic fashion. For one
thing, most were set in my city, New York. More importantly, the people depicted
in those comics seemed to be real people. Their lives were fraught with the
types of actual problems real people faced. The Incredible Hulk was a modern day
Doctor Jekyll and Mister Hyde, a man that would turn into a monster drive by
rage. David Bruce Banner (Bill Bixby) was an MD/PhD, a man devoted to science
and helping people. He was fascinated by stories of ordinary people in a moment
of great stress being able to exhibit great feats of strength, a mother lifting
a car off her child for example. Torn by not being able to save his wife from a
car wreak he is a man driven. During an experiment with gamma radiation Banner
is trapped in the chamber and subjected to a massive dose of radiation.
Initially there seemed to be little affect on the good doctor but while changing
a tire in the rain the lug wench slipped, injures Banner’s hand and in a fit of
rage he begins to transform into a giant, green monster, the Hulk (Lou Ferrigno),
with the strength of an army. Of course, stories of a huge green man tearing
things up comes to the attention of a sleazy tabloid reporter Jack McGee (Jack
Colvin). His career is needless to say on the skids and he sees this story as
his way back to legitimate journalism. When Banner and McGee meet the report
gets on the doctor’s nerves prompting the now famous line "don’t get me angry,
you wouldn’t like it when I’m angry". The only emotional support Banner has
during this tumultuous time is Dr. Elaina Marks (Susan Sullivan). This adds even
more in the may of human attachment for the story, Banner is conflicted between
his love for Marks and his fear of unleashing the beast within. The point that
audiences can identify with is there is angry and rage in us all but most of us
learn to suppress it. What if something happened that not only permitted us to
release these feelings but do so in a manner that would make us almost
invincible. Marvel was known for these types of dilemmas and the television of
the Hulk was one of the best examples of translating this wonderful comic series
to television.
In order to present human emotions required to provide this television film
with aspects of a drama, not just a comic book action flick a cast capable of
real acting necessary. The producers of this television pilot found them. Bill
Bixby was best known for television roles like ‘My Favorite Martian’ and ‘The
Courtship of Eddie’s Father’ but he did make some forays into work on the silver
screen. He brought humanity to the role of Banner, something that the audience
could identify with. We all have inner torments but with Banner the results of
letting it out could be disastrous. There is also the facet that Banner was an
extremely intelligent man, an altruistic scientist that found himself lost
amidst blind, primitive emotions. Many people overlook the performance of
Ferrigno. He brought emotional investment to the audience. It was vital for the
viewers to feel for the Hulk. They had to be able to identify with him and not
see him as a monster. Ferrigno did much more than throw things around, he made
us care. Colvin is perfect as the reporter. Even his character is not a villain.
He’s just a man trying to repair a career that went off track somewhere, a
report that dreamed of working for the finest newspapers sentenced to a job at a
supermarket tabloid.
Kenneth Johnson has been one of my favorite television directors for many
years. His work exemplified science fiction with a social conscious. With
television the likes of ‘V’ and ‘Alien Nation’ he demonstrated that television
and Sci-Fi could be thought provoking as well as entertaining. His direction of
the Hulk showed the influence of the great Universal horror films of the 30s,
films where pathos in the so called monster was generated. True to the Marvel
tradition Johnson enabled the audience to forge the emotional connection with
the characters. By delving into such topics as inner rage, the harmful effects
of a dark secret and the dichotomy in all of us he gives us something deeper
than the fluff normally found on the tube. The way the story is presented is
more like a theatrical film than the typical made for television fare. Little
touches like the camera moving in on the flashing ‘Danger’ sign to reveal
‘anger’ shows the attention to the tiniest details. There is even a little
homage to the Frankenstein film as the Hulk approaches a little girl near a
lake. The pacing of the film is excellent. The story moves along sweeping the
viewers into the lives of the characters. Johnson is the type of director that
helps his actors achieve their best performances while giving the audience a
satisfying film. He brings a bright spot of light to a medium that all too often
caters to mindless fodder.
I personally felt the DVD was well done in spite of several faults. The video
was for the most part well done although there was noticeable grain present. The
focus seemed a bit soft but that was typical of the television shows of that
time. Still there was a level of clarity not often seen in a show from the
seventies. The audio is a rich Dolby two channel mono. You may get a bit more
out of it if you bypass the normal bitstream digital audio and process the sound
through a Prologic theater or simulated surround emulation. There is a good
amount of extras provided, far more that usual for a DVD of a television movie.
On the reverse side of the disc is a bonus episode ‘Married’. Both the bonus
episode and the main feature have a commentary by Johnson that is not only
informative but interesting. Of course there are tie in features to the Hulk
live action Ang Lee movie and the required video game. There are some special
effects featurettes round out the presentation. See this one before going to the
theater for the 2003 version.
Posted 06/24/03