With economic times becoming increasingly difficult many young people find
themselves returning to the parental home that only a few years prior they
sought to flee. What was once a land of opportunity has become a harsh place
where making a success of your life is all but impossible. It is almost natural
that film makers, especially those of the independent ilk, would use such
despair has a theme for their stories. Film has always done this, reflecting the
prevalent attitude of the nation. In the forties and fifties there were many
films that mirrored the post war optimism. In the sixties it was the drug
counter culture that was common place in the theaters. Now, the tensions that
each us face on a daily basis is held up to the scrutiny of the camera. One of
the latest of this trend comes to us in the form of ‘Lonesome Jim’ a film
directed by famed actor Steve Buscemi.
As the film starts Jim (Casey Affleck) had just given up his dream of being a
writer. He lionized Ernest Hemmingway, perhaps not the life one should emulate
or aspire to. Jim had been trying to write while supporting himself as a part
time dog walker. Finally the despair overtakes him and he seeks refuge by
returning to his parent’s home in Indiana. His parents, Don (Seymour Cassel) and
Sally (Mary Kay Place) are not exactly Ozzie and Harriet. Although it is the
dead of winter the Christmas lights decorations still are hung. The parents are
almost on cruise control, going through the paces of married life. Also
returning to the childhood home is Jim’s brother Tim (Kevin Corrigan). Tim has
just gone through a bitter divorce and now is living with the folks along with
his two daughters. Jim may have come back home for emotional security but finds
the people he needs for support are more messed up then he is. Tim is so
despondent that he crashes his car into a tree. While Tim does survive Jim has
to take over his brother’s couching duties for a girl’s basketball team that is
accustomed to their last place status. During the day Jim finds work that is
less than rewarding at his family owned ladder manufacturing business. There Jim
meets his cousin Stacey (Mark Boone Junior), better known by his very apt nick
name, Evil. Against his better judgment Jim is drawn into Evil’s world of drug
dealing and general malcontent activities. Typical of Evil’s world view is his
comments on marriage. He finds prostitutes are better than wives since they are
cheaper to support. While wasting time at a local gin mill Jim meets an off duty
nurse, Anika (Liv Tyler) and shortly afterwards finds the two of them in bed
together. The encounter is far from satisfying for either of them. Jim discovers
that premature ejaculation is a reality and five seconds is not good for either
party. It is not difficult to see why Jim has such problems with women. While
taking a bath his mother comes into to make sure the bath water is the right
temperature. Jim is beset with more problems than he sought to escape by coming
home.
This is a beautifully crafted film that may be dark and despondent but still
invokes a deep emotional response in the audience. In his 27 year of life Jim
always felt that he could live his dream and become a writer. When life in New
York City shows him that dreams more often than not don’t come true he does what
seems so natural to us, return to the safety net of home. His parents are
something right out of a Freudian textbook. The father is overly demanding while
the mother wants to out do Martha Stewart. For Don the family business is all
important, more so than the love and respect of his sons. Sally just has not
accepted the fact that her little boys have grown up and need to relate to her
on an adult level. Tim is so stricken with self doubts that his attempt at
suicide is the ultimate in passive-aggressive behavior. While most of Jim’s
family is dysfunctional Evil is a piece of work. He is truly despicable
especially when he frames Sally for a drug bust. Sally is so overly optimistic
that when she is finally released from jail she gleefully announces that she is
making a cobbler for the nice girls she met in lock up. Jim is forced to face
the dark side of reality while dear old mom has the rose colored glasses
surgically implanted. Jim has always lived in the shadow of his older brother
and now when he comes home for a nervous breakdown his brother beats him to it.
Unlike many siblings of famous actors Casey Affleck has the talent to have
made it without the well known surname. While his brother usually plays the
dashing hero Casey has made a livelihood out of more casual characters. Here he
gets a chance to demonstrate that he has the ability to handle more realistic
and darker parts. Affleck gives Jim a realism that jumps off the screen. While
no on in the audience wants to be him we can certainly understand how he is
reacting to his circumstances. Mary Kay Place seems to have revisited her role
from the cult classic television series ‘Mary Hartman, Mary Hartman’. She has a
natural comedy sense that provides the right counter point to this dark film.
Seymour Cassel is the kind of actor that you have seen in so many films but you
most likely don’t know his name. In his long career his appearance in a film is
sure to bring a great performance. Liv Tyler is the source of brightness in this
film. She is able to take her role and add empathy to it. It looks like she has
achieve the dreasm of so many young girls and has now had bother Affleck
brothers, on screen that is.
There is an old joke that all actors want to direct and all directors want to
act. Usually when a cross over happens the results leave something to be
desired. In the case of Steve Buscemi he manages to excel on both sides of the
camera. He has made a successful career out of being a character actor.
Typically, he plays the joker in a rough crowd, the one responsible to defuse
tense situations with his wry humor. He has taken his character actor work as a
training ground for his understanding of the darker side of the human
experience. As a director he plunges into the foibles of regular people. Like is
work, ‘Trees Lounge’ this film has a dim view of happiness. Buscemi is extremely
talented as a director. He paces the film perfectly, not letting the audience
become distract or bored. He gives us a film that mirrors our deepest fears in a
humorous fashion. He has done more with a $500,000 budget and a digital camera
than most directors can do with five times the cash and equipment.
Genius Products in cooperation with the Independent Film Channel has been
building a reputation of bringing to DVD some of the films you may not know but
certainly will be glad you’ve seen. The video is presented in 1.85:1 non
anamorphic video was done entirely with a digital camera. This gives almost a
home movie feel to the video that works well with the subject matter. The Dolby
stereo audio also gives a more intimate feel. The commentary with Buscemi and
writer James C. Strouse is a mini class in film making. Their comments are both
informative and entertaining. When you tire of those loud blockbusters that
shake the house sit back and enjoy something of quality and substance.
Posted 8/27/06