Monty Python's Life Of Brian
Starting in the 60s the bizarre and unique style of comedy prevalent in Great Britain began another invasion of our shores similar to that of popular music a few years before. The method used to involve American audiences was for most of us primarily through the local PBS station. Considering there was a less than 10 television stations in even the most major markets. I grew up in New York City we had only eight selections on the dial. As it turned out the channel designated 13 was our public broadcasting station and especially during periods when they were holding drives for funding the network would be full of British imports. This is the time when many of us became fans of Doctor Who with the fourth doctor, Tom Baker, became our introduction to an already long-running series. Many English sitcoms also broadcast allowing us to become familiar with many shows that would eventually have their own versions created here in the United States. Of all the series that came over here the most influential was a sketch comedy show, ‘Monty Python’s Flying Circus’. There tagline was "and now for something completely different", a promise they kept for decades even after this series that ended. It soon became evident that the appellant was far too big to be confined to the television to and the members of the troupe; Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin, branched out to the movies. In 1979 be released what would become the most controversial films of their career,’ Monty Python's Life of Brian’. Millions of people would object to the film calling it blasphemy. It all focused on the very simple premise that drove the story. The titular Brian was a Jewish boy was born on the same night in the next door to Jesus. Even though many considered the film relatively minor in blasphemous content and managed to unite people to both the Jewish and Christian faith as the New York premier had picket lines consisting of rabbis and nuns.
Brian Cohen (Graham Chapman) has been a victim of happenstance from the moment he was born. On that night a bright star shown above the stable his parents were in in Bethlehem with his parents were resting. Actually, the stall was directly above the stable adjacent to where Mary and Joseph were celebrating the birth of their son Jesus. The three wise men following the star initially mistook Brian the newborn King. In typical Monty Python fashion each member of the troupe has multiple roles in the film. For example the three wise men are portrayed by John Cleese, Graham Chapman and Michael Palin. As Brian matures her becomes idealistic the growing resentment of the continuing Roman occupation of Judea. One attending the famous Sermon on the Mount Brian meets a beautiful young woman; Judith (Sue Jones-Davies) was a member of the rebel organization, ‘People's Front of Judea’. This group is just one of many trying to work against the Roman presence the spend most of their time fighting amongst themselves they can them even more ineffective against ending the occupation. While this is primarily considered to be a parody of religious constructs its deeper message was politically oriented satirizing such organizational tropes as trade unions and antiwar protesters. Both groups had been very active during the 70s.
After being taken to Pontius Pilate and managing to escape Brian is inadvertently rounded up and included in a line-up by the Romans who are working for potential mystics and prophets. In order to fit in Brian begins babbling the hodgepodge of religious sounding disjointed statements. Instead of blending in Brian finds out that he is now have the beginnings of a following. Almost anything that he no matter how mundane is declared by the crowd as a miracle. Brian finally met just to get away for most of the crowd Judith remains with him in the eventually spend the night together. When the crowd regathers around Brian’s mother’s house some of them declared that Brian is the Messiah "but his mother insists that" is not the Messiah is just a naughty boy." The obsession with the crowd increases as people afflicted with various illnesses are brought before him and declared to be miraculously cured. Soon every little utterance that Brian makes is considered to be divine law forcing Pontius Pilate and then having him arrested and sentenced to execution. Monty Python has never been afraid to go into exceptionally dark humor particularly with some of the politically oriented material. The crucifixion scene has become famous boards sure real take on something considered the holiest moment by many of the world religions. There is a hierarchy to those who actually implement sentence with the distinction made but also just assistant executioners. In one of the most surreal moments in any of the Monty Python movies Brian and the others sentenced to die begin singing ‘Always Look on the Bright Side of Light’.
Understandably this film, for that matter anything on by Monty Python not even be remotely considered by anyone that consider political correctness a necessary part of life. By design Monty Python rude, and socially unacceptable. It is just inconceivable that anybody with the defendant would ever consider watching anything will miss most venerable comedy troupe. Typical British humor in general comedy here to served dry matter how silly it may seem on a closer look it is obvious that there was considerable amount of intelligence behind its design. As mentioned there is more the real social and political satire that actually targeting religion. One hysterical example is the application of the biblical punishment, stoning. The people distributing so concerned over shape and size this the portrayal quality possible in the actual hotel is a punitive measure. Many of Monty Python’s funniest material takes place in pre-technological periods. If you really want to test him in his surviving large quantities of laughter try having a double feature of this movie and Monty Python’s Holy Grail.
It takes a lot of expertise and even finesse come up with something this consistently silly. In other words, there is a method behind the madness. All of the detractors claiming that this film is blasphemous, insulting to their religious beliefs to take note of the writers and performers, basically the same set of people, satirizing attitudes that people have and not their actual beliefs. Even if you don’t usually avail yourself of the additional material and commentaries that many Blu-rays and DVDs provide take advantage of the extras contained in this ‘Immaculate Edition’. It provides an exceptionally great opportunity to take a peek behind the scenes and listen some of the creative processes utilized by these wildly talented and incredibly intelligent men.