Some comedies are satirical, making a serious point using humor. Others
expound upon a central theme deriving the laughs from the situations and
characters. Others are just plain silly. Here the humor comes from someone
acting like a fool. Now if an American actor tries this the results are usually
horrible. Just watch any Paulie Shore flick and you’ll see exactly what I mean.
Now if a British actor engages in a foolish flick it is funny. It would appear
that across the pond they have taken over dominance in the field of slap-stick
humor. Monty Python never made sense but we still laugh at the antics. Another
British import that can be depended on to give the audience a good time is the
Mr. Bean series. Rowan Atkinson has taken this character to international fame.
True, Bean is, to put it bluntly, an absolute idiot. Watching him get into the
most improbable situations is a guilty pleasure around the world. Having grown
up with the Three Stooges and the likes of ‘Abbot and Costello’ there is a
tradition with physical humor that Bean continues. The latest of the series is
‘Mr. Bean’s Holiday’ and while admittedly not the best of the Bean flicks it is
a family friendly good time. This is a film that needs you to completely suspend
belief but fortunately it makes the job very easy. Don’t worry about little
things like plot or reality; just sit back and enjoy the ride.
The silliness starts off right away as Mr. Bean parks his car and uses a dead
bolt and pad lock to secure it. He is off to a church fund raiser where prizes
are to be auctioned off. The winning number is 919; Bean looks at his ticket,
616 and tosses it away only to realize he had it upside down. He gets it back
and claims first prize, a vacation on the French Rivera, a new camcorder and
£200 pocket money. Bean sets off on his adventure documenting every possible
moment with his new toy. Even the simple, every day function like buying a cup
of coffee becomes a bit here. Bean spills the coffee on the laptop computer of a
sleeping man. With his tongue sticking out like a naughty boy Bean tries to pour
the coffee out of the computer and back in his cup making sure to scrape the
foam off the keyboard. He has to change trains in Paris where a vending machine
manages to bet the best of our lamentable hero and he misses his connection.
With an hour to kill he stops off at a restaurant were he mistakenly orders the
largest plate of seafood imaginable. Before finally boarding the train he asks a
man, Emil Dachevsky (Karel Roden), a Russian judge at the Cannes Film Festival,
to shoot him getting on. Bean, thinking he is a major director demands numerous
re-takes to the point the train is pulling out. The doors close on Dachevsky
preventing him from boarding leaving his young son Stepan (Max Baldry) on the
train and in the dubious care of Bean. The boy is told to get off at the next
stop to wait for his father. Bean, feeling responsible also gets off and winds
up missing the train again. The father’s train does not make this stop so Bean
and the boy have to catch another train. Unfortunately Bean has misplaced his
wallet and passport resulting in them getting kicked off. He tries his hand at
mime to raise money for a bus ticket, gets the ticket and loses it when it gets
caught on the foot of a rouge chicken. The unlikely pair starts hitchhiking and
get picked up by an aspiring actress, Sabine (Emma de Caunes). She is going to
Cannes so it looks like it will work out for them. They wind up at the festival
where Bean interferes with a film to be presented. The director, Carson Clay
(Willem Dafoe) is forced to use Bean’s video in place of his own.
In order to get the most from this film you really have to be into physical
comedy. There are no real jokes to be found anywhere here, just one bizarre
moment after another. In many ways this is like an extended sketch comedy show
loosely bound together with the journey. Director Steve Bendelack comes from a
television background but deports himself well here. For a physical comedy it is
difficult to keep the pace moving along but he does it well. At times the flick
is repetitious but considering the genre that is acceptable. After all we still
laugh when Moe hits Larry and Curly time after time. This is mostly targeted to
the true blue fans of the Bean character. Others may find it pedantic and over
done. Physical comedy is an art and Atkinson has honed his skill albeit he does
tend to use the same sight gags a lot.
Speaking of Rowan Atkinson he is a very talented comedian. While he doesn’t
get to speak a lot in the Bean series he has demonstrated a quick and agile wit
in series like Blackadder. In this film he uses the Bean character well but not
as effectively as in previous outings. He does have the perfect face for this
brand of comedy. With is rubbery face and extra large ears he can use his facial
expressions and body language to get a laugh. The only problem with his
performance here is the character is better suited for a television episode than
a feature length film. What is hysterical for thirty minutes can get tiring when
it pushes ninety.
Universal does provide its typical excellent DVD release here. The anamorphic
1.85:1 video is well balanced with a true to life color palette. The Dolby 5.1
audio is over kill, the rear speakers and sub woofer don’t have a lot to do
other than provide some ambience. There is also a good measure of extras
provided in this release. There are some fifteen deleted scenes that were better
left on the cutting room floor. ‘French Beans’ has the Atkinson, the director
and other crew members recant their filming experience in France. Since Bean did
not know French it made a perfect chance to make the character almost silent, a
characteristic of Bean. ‘Bean in Cannes’ details what it took to film the movie
while the actual film festival was in full swing. Finally ‘Human Bean’ gets the
reaction of the other actors on their work with the famous character. This is
not the best slap-stick comedy around but it is something well worth while for
the whole family to enjoy.
Posted 11/21/07