One of my all time favorite television shows while I was growing up was the Outer
Limits. One night, years ago, I was surfing the cable stations and much to my delight,
Showtime had new episodes of this classic show. Of course, considering the show was now on
premium cable, in the nineties and freed of many of the constrains imposed by broadcast
standards, the show was now able to explore different themes in a much more adult manner.
MGM/UA has released not only the entire first season of the original series but two theme
oriented compilation discs of the new series. One of these sets is Outer Limits: The New
Series: Sex And Science Fiction. Now, the episodes chosen for this set are not on the same
level as many soft-core television popular on late night cable. Instead, the episodes
probe imaginative science fiction themes in a more mature fashion. In all there are six
episodes presented here. They cover the six years that the series existed on cable. The
main themes in this collection are nicely varied although they all have some aspect of
human sexuality at their core. For example, there is Human Operators, a tale
of a young man (Jack Noseworthy) living on a senescent space ship. His lifes entire
purpose is to keep his ship, his master, in good working order. One day he is forced into
a reproductive role with the introduction of another human operator (Polly Shannon). Along
with this natural act of human connection comes a yearning for freedom and
self-determination. Then there is Valerie-23, about a physically challenged man (William
Sadler) who is chosen to beta test a new artificial human, Valerie-23 (Sofia
Shinas). Valerie becomes overly attached to her human and what follows is a cross between
Robocop and Fatal Attraction. Freed from the limitations of broadcast Standards and
Practices, the new Outer Limits is able to go deeper into the motivations of human
behavior and this resulted in a much more intense series. Still, with all the changes
possible the new series never lost sight of the mandate of the original series. They still
sought to present material that might never be acceptable and coat it in science fiction.
By doing this the producers of this show look at social issues without forgetting to
actually entertain the audience. This is the charm of the Outer Limits. They actually live
up to what their opening voice promises, to take you where you may have never imagined. In
this collection there are some explicit scenes but the integrity that made the Outer
Limits so popular is never lost.
There are many excellent performances presented in this collection. As with the
original series this anthology series was able to attract actors committed to turning in
their best. In Bits of Love Natasha Henstridge (Species) plays a
computer-generated hologram programmed to organize the life of the last survivor of a
cataclysmic disaster. She successfully balances portraying a computer program while
allowing the human emotions of her programmers to come through. Then there is notable TV
actress Alyssa Milano in Caught in the Act. Here she plays a young college
student, a young woman that wants to wait before having sex. She is inhabited by an
extraterrestrial life form that turns her in to a seductive killer. Milano takes this role
and is able to show the internal conflict that was catalyzed by the creature within but
that only reveals her own hidden concerns. Performances like these make each 45-minute
episode into small movies complete with story arcs depth and realism amidst the unreal.
There are six directors represented in this collection. Each has his own style and
methods but each maintains a consistent dedication to maintaining the standards set by
this series. Most of the directors have not forayed into the world of feature films yet
after being a fan of the Outer Limits I have not doubts what so ever that they could
handle the challenge. Brad Turner represents a director often used by the producers of the
Outer Limits. He also directed the two films on Showtime revolving around cases in the
Post Office Inspectors office. Turner is excellent at juxtaposing such human traits
as responsibility, desire, companionship and loneliness. He is at his best when he shows
reasonable people caught in unreasonable circumstances. Jeff Woolnough is another director
that has taken the helm of many episodes of the new Outer Limits. Like his fellow
directors here he brings out the human qualities of his actors characters. This
vision is what all the directors, writers and producers have in common. They have the
ability to permit the audience to connect with the characters and feel as if the often
impossible events depicted are possible. One departure from the original series is often
the endings are a bit on the dark side. Things dont always wind up with the happy
Hollywood ending many are used to.
The DVD is excellent. While the Dolby Surround and full screen presentation reveal the
cable television origins, they are well done. The sound field is not the greatest,
possessing only a hint of stereo separation but to me this only harkened back to what I
enjoyed about the original series. The focus is on the stories not the audio/video
technology. The video shows a marked improvement with the later episodes. There is little
in the way of what most expect for extras but what there is well done. There is a little
10 to 15 minute discussion presented as a companion to each episode. The cast and crew
discuss what vision they had for the material and provide a bit if insight to how the task
was accomplished. I have to admit I would have preferred the current DVD trend of complete
seasons to be used here. I hope that MGM is only testing the waters for the new series
here with full seasons in store for the future. Even with that said this collection is not
only worth having for the Outer Limits fan but it is an excellent introduction for those
that are unfamiliar to the series. This disc deserves a place in any serious collection.