There is a term that has become popular lately that is
misleading; ‘dysfunctional family’. Let’s face it; none of us came from a fully
functional family. Many of us grew up watching television series like ‘Ozzie and
Harriet’ and ‘Father Knows Best’ but few of us could fully identify with the
family dynamic shown there. The major fault of the family unit is its
composition; human beings. As long as people ore imperfect the families will
naturally exhibit some degree of what experts refers to dysfunction. Since the
idealized family is just short of a fantasy much of literature, television and
movies have concentrated on the dysfunctional variety. One reason so many people
watch is the fact that the families on display are usually more messed up than
our own. The other side of that coin is all too often they strike a chord within
us that provides some insight into our own family’s circumstances. A film maker
can go off in many directions with this as a central them but the most difficult
path to follow is the drama. Making a seriously disturbed family into a comedy
allows for the situation to take over. With a drama the story has to be all
about the characters. It takes considerable skill to pull this off successfully
but one recent film has pushed this genre to new heights’ ‘Rachel Getting
Married’. This is one of the best crafted dramas I have seen in many years. The
story is taut; full of stark, raw emotions. The characters are fully formed
human beings with all the foibles and misgivings shared by our species.
As anyone with a family knows if you want to create a
setting that is naturally prone to conflict gather everybody together and supply
a good quantity of alcohol. To this end there are few settings better than a
wedding. It is supposed to be the happiest day in a couple’s life but all too
often something, or more likely, someone happens to derail the proceedings.
There is always some drunk uncle who has one too many drinks or a black sheep
relative who shows up unexpectedly to make trouble. In the case of this film it
is a deeply disturbed sister coming home with enough emotional baggage to fill a
hotel. A wedding is a great means to through a group of characters together. In
this case the nuptials serve as a crucible where the façade of civilities are
slowly stripped away. Many movies are described as being character driven but
most dim in comparison to this film. The depth of the characterizations is
remarkable. It sets the stage for some of the most stunning and riveting
performances to come on the scene in ages. This film quickly became the darling
of the awards season and rightfully so. Most of the accolades were for the
acting here and with good cause; they are beyond excellent. Sony Pictures Home
Entertainment has released the film in DVD and Blu-ray so you can watch and
enjoy this intimate look into the lives of these people whenever you want.
The screenplay was written by Jenny Lumet who has some
prior work as an actress mostly in smaller films. This is the first time with
scripting and you might not recognize her name at least not directly. She is the
daughter of famed director Sidney Lumet and the granddaughter of singer Lena
Lorne. Ms Lumet has learned out to tell a story from her father, one of the best
in the business. With this story she creates a full world inhabited by people
that will all be very familiar to the audience. Instead of just reflecting
archetypes as is so commonly done Lumet structures her characters are human
beings that are all striving for the same things we do; life, love and
stability. As is the case in the real world these simple goals are often
unimaginably difficult to achieve. The way that Ms Lumet presents the people
here, it is difficult to just call them characters, is so brutally honest that
you might start thinking you were at this doomed wedding. There are some points
in the story that may seem weak. They are not; they are just reflecting the ebb
and flow of a family’s ever changing dynamic. There is a strange sort of balance
present in this script that adds flavor to the presentation.
Jonathan Demme directs this film with the best of his
flair and style. He made a name for himself in the industry with such gripping
movies as ‘Silence of the Lambs’ and ‘Philadelphia’. As is the case with this
film they were both extremely well constructed character studies that focus on
the dark aspects of the human personality. In this movie the destination of the
characters is not ass important as their journey. Demme uses the camera as a
voyeur bringing you not only into the chaos surrounding the wedding but behind
the closed doors where all pretenses are let down. The conflict that he places
on exhibit for the audience is honest to the point that at times it is difficult
to watch. With that said you will be mesmerized by the outpouring of emotions
that leaps off the screen. Demme is he perfect choice to direct this opus; he is
what is commonly called an actor’s director. He realizes the talent of the cast
and guides them to reach beyond their past experiences to achieve greatness.
Anne Hathaway is not the titular character here but
she dominates the screen in every scene. Most people recognize her from her
early work as a princess in light hearted romantic comedies. To prevent the
dreaded type casting Hathaway took on roles in more adult faire. She even did
well in the lamentable ‘Havoc’ and gave a brilliant supporting portrayal in
‘Brokeback Mountain’. This is the first film in her resume that demonstrates the
depth of her talent. This beautiful young woman has the command of her craft
that demands recognition making her one of the shining stars on the horizon.
Ms Hathaway plays the sister of the bride to be Rachel
(Rosemarie DeWitt), Kym. She is a mess to put it lightly. Kym shows up to
Rachel’s wedding on leave from rehab. She has been in and out of such facilities
for the last decade unable to put any aspect of her life in order. Kym is a
chain smoking wreck of a person without the usual internal censor that normally
prevents conflict. She speaks her mind no matter what consequences it may bring.
In a scene where Kym is in a twelve step program we do get insight as to the
origins of her emotional problems; a great tragedy that still haunts her. The
film is a contrast between Rachel and Kym but that is only the foundation. It
depicts two sisters that love each other but have been torn apart and now have
to discover some means to relate to each other. Kym has hated herself for a long
time and can only cope by deflecting this on to anyone in range. She has to find
some way to deal with her inner demons but has self medicated for so long that
Kym lacks the proper emotional stability to succeed.
This is one of the most powerful movies of all time
and deserves to be watched and considered many times over. Ms Hathaway garnered
numerous awards and nominations for her role here and richly deserved them all.
Get this film and rediscover how great a film can be.