There is a sad truth about television series. Some shows that deserve to be
on are cancelled before their prime. Other series that have enjoyed a good run
are permitted to go on past their prime. A term has been coined on the internet
that describes the later situation; ‘jumping the shark’. One of the most
fundamental reasons for this jump is departing completely from the original
parameters of the show, the very aspects that made it a hit in the first place.
While a show has to grow and change over the years to remain fresh if the
changes remove the heart of the series than there is a shark just waiting for
the jumper. In 1988 a revolutionary series premiered on ABC, ‘Roseanne’. There
have been many sit-coms that dealt with a blue collar family but usually the
point of view was the husband or the children. This series was the mom’s story
more than anything else. In television it seemed to be alright to have a
feminine point of view if the woman was widowed or in later years divorced. This
was a more traditional family, of sorts, with a dad, a mom and three kids. The
show was based on the standup comedy of Roseanne Barr. The name has changed over
the years but this woman is one of the most controversial and funny people
around. The basic premise was founded in her life as a working class wife and
mother of three. The ninth and final season is now on DVD thanks to Starz/Anchor
Bay and most agree that this is the weakest season.
The reason for the decline in the series, as reflected by the lackluster
ratings is simple. The whole tone of the series was changed. People could
identify with the struggle a typical American family has to face of a daily
basis. We could understand a mother having to work outside the home and still
cope with the millions of problems hubby and kids bring to bear. In this season
the Conner family wins the lottery and becomes super rich. While Roseanne has
stated that this change in financial status was meant to reflect her real life
changes after she made it is show business the sudden wealth was something the
audience couldn’t connect with and the ratings began to slip. Many of the main
characters were absent for much of the season which further removed the plots
from the original, successful formula.
As the season begins Roseanne (Roseanne Barr) and her husband Dan (John
Goodman) are fighting. Dan is continuing to eat as much of anything he wants
even though at the end of season eight he suffered a heart attack at the wedding
of their middle child Darlene (Sara Gilbert). Roseanne is upset that given a
second chance at life he is still so careless in his eating habits. Roseanne
seeks solace from her mother Bev (Estelle Parsons) and her sister Jackie (Laurie
Metcalf). Roseanne has left Dan and is staying at Jackie’s. Darleen and her
husband David (Johnny Galecki) try to talk her into going back home without
success. While flicking through the channels Roseanne fantasizes about being in
such shows as Mary Tyler Moore and That Girl. This type of fantasy sequence
would become more used in this season. In the second episode Jackie realizes
that they have won $108 million in the State lottery. The once financially
strapped clan is now flush with money. They call over the whole family to tell
them the news including oldest daughter Becky (Sarah Chalke), her less than
bright husband Mark (Glenn Quinn) and the next youngest of the Conner kids, now
a teen, D.J. (Michael Fishman). They work out just how the money is to be
distributed in the family. At first they wonder about what they can do with the
sudden wealth; things like getting a new house come to mind. As the season
progresses the extravagances take over the family.
The surreal nature of this last season takes root rather quickly. Initially
Jackie and Roseanne continue to work at their little restaurant but soon there
seems no point to such things. A con man claiming to be Prince Charles of
Modavia (Jim Varney), sees Jackie on a television interview and comes to town to
be with her. He sweeps her off her feet and takes her to New York City. As the
rest of the family follows they all get the taste of what great wealth can
bring. A ploy known as stunt casting began to take of this season with many
special guest stars of various levels of fame. I have to admit that one episode,
‘Satan, Darling’, actually used this well. The Absolutely Fabulous gals, Edina
(Jennifer Saunders) and Patsy (Joanna Lumley) show up chain smoking and drinking
to excess at a glamorous New York party. They took things a bit too far though
since other guests included Arianna Huffington, Marlo Thomas and Mo Gaffney.
Still the Ab Fab girls made the show.
Of course the most famous part of this season is the final episode. I have to
admit that it was strange but it was, in a way, a decent send off for a favorite
show. It has Roseanne as a writer looking back at her life and disclosing some
twists that we could never have imagined. It ties up all the loose ends and most
importantly, it returns the series, for a moment at least, to a form of reality.
Even though this last season was a faint echo of its former greatness it
still was fun. I did find myself laughing time and time again. Mostly the humor
transformed from the working class family to a dysfunctional family trying to
fit into a part of society where people only tolerate them for their wealth. The
cast was beginning to show some signs of wear in this season. Still, Roseanne is
as rowdy and crass as every which is what drew us in nine years before. There is
also an undeniable chemistry that this tightly knit cast has developed over the
years that gives one last push to the series. For this last season Sarah Chalke
returns once again as Becky since Alicia Goranson only signed on through season
eight.
Starz/Anchor Bay gives a great send off to this series with their DVD box
set. There are some cast interviews where these talented actors look back at
their nine year trek. The ‘Legacy of Class’ considers what happens when working
class people are suddenly put into situations with the ultra rich class. The
last featurette ‘Breaking the Sit-Com Mold’ focuses on how this season would go
places that no other television comedy would think of. Even thought this is
least popular of the seasons it is still worth having for the die hard fans out
there.
Posted 10/08/07