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Slumdog Millionaire
From the very start of the art of cinema there has
been a synergistic relationship between technology and movies. Usually this
mostly impacted the way films were made but of late there has been a profound
change in how films are presented to the audience. With the internet more people
have the opportunity to discover little Independent gems that previously would
only be known to diehard fans of the Indy or foreign film circuit. Now, there is
an increased availability of these films to the general public and the major
studios find they have some stiff competition on their hands. Indy films have
been taking over as demonstrated by big box office and major awards for Indy
darlings such as "Little Miss Sunshine’, ‘Sideways’, and ‘Juno’. These humble
yet brilliant movies have shown you don’t need a huge budget to make a great
film. In the last Academy Awards yet another Indy swept the evening; ‘Slumdog
Millionaire’ and it richly deserved every accolade and dollar it received. This
movie embodies all that I wonderful about independent films; it is imaginative,
artistic, and crafted with a combination of love and expert craftsmanship. The
film was created on a relatively small budget of some $15 million and took in a
staggering $360 million to date. More important than the financial success is
the degree of excellence this film achieves. ‘Slumdog’ is the rare film that can
blend numerous genres and succeed in each category. While predominately a
romance the elements of mystery, drama and suspense with the perfect touch of
social consciousness. There is a serious message here but it never overshadows
the pure entertainment you will derive from this film.
The screenplay by Simon Beaufoy was based on the novel
‘Q & A’ by Vikas Swarup and as usually is the case there were some rather
significant changes made to accommodate the new medium. What is retained is the
vast heart of the story which touches the viewer but never crosses the line to
the melodramatic. Beaufoy has some experience with desperate, poor characters;
his last big hit was Full Monty, which was concerned with the extremes an
unemployed man will endure to provide for his family. Like that movie this one
takes a simple, human story and projects it into a setting that
juxtaposes cut throat world of television with a community subject to subject
poverty that is poorest areas in the world. The writing is impeccable, weaving a
strong narrative that draws in the viewer holding on till well after the closing
credits. of all the aspects that set this film above the pact the most effective
is how the film reinvents the underdog tale. Most people will readily cheer on
the lamentable protagonist fighting against all odds. In a time like we are
currently in where the global economy is in ruins due in s large part to
corporate and personal greed a story like this that has a poor man find fame,
fortune and an opportunity to reconnect with his true love, you cannot help but
to be engrossed and emotionally captivated.
The hero of the story, Jamal Malik (Dev Patel) has
spent his life in the dank slums of western Mumbai in India. With such a
background there was little if any opportunity for a formal education. Like all
his neighbors Jamal was forced to scrape out a meager living from an early age.
As a child he spent time in an orphanage with deployable quality until he falls
under the influence of Maman (Ankur Vikal), a Fagan like criminal who uses
children as beggars targeting tourists at the Taj Mahal. Without a doubt the
brightest part of Jamal’s life is his best friend and ultimate love interest
Latika (Rubina Ali). Along with Jamal’s older brother, Salim (Madhur Mittal the
trio fashion themselves as the Three Musketeers although they only knew the
names of Athos and Porthos. Life would not remain uneventful for the friends,
with Salim murdering Maman to save Latika from a life as a prostitute and
eventually becoming a henchman for a rival crime boss, although they part ways
circumstances always seems to push them back together. Much of the story is told
through flashbacks from Jamal’s perspective but even a potentially hackney
device like this comes across as fresh in the hands of the director Danny Boyle
and his counterpart in India Loveleen Tandan. The initiating event for the story
happens when Jamal manages to become a contestant on a popular television game
show based on the American hit ‘ Who Wants to be s Millionaire.’ Against all
expectations Jamal correctly answers one question after another until he is one
question away from the grand prize, when he comes under suspicion of cheating.
The show’s producers wanted to avoid the huge payoff and this offered a convent
way out. Formal charges are leveled against Jamal and he is brutally
interrogated by a police detective. One of the best aspects of the film is how
the flashbacks instigated by the interrogation reveal how random experiences in
Jamal’s life lead him to getting the show’s questions correct. Sure, it sounds
incredibly contrived and I suppose it is but within the context as laid out here
it works extremely well. It comes across as a mystery unfolding revealing just
how a man with little formal education. Many people with better education have
tried this show and failed to reach the level achieved by Jamal so the police
believed they had a case.
The fundamental stylistic choices employed here are
brilliant. The approach is fresh and imaginative providing one of the most
satisfying films I have seen in a long while. Films like this typically come
around just when society is experiencing difficult times. With the economy at
the lowest levels in several decades audiences need a good old fashion feel good
flick and this one certainly delivers. It is also far more than a light
distraction; it tackles social issues that make some of our problems pale in
comparison helping us here in the States to feel better about our own troubles.
The film ends with a Bollywood inspired dance number, the Oscar winning best
song,’ ‘Jai Ho’. The film employs the talents of some children from the actual
Mumbai slums. This not only adds an amazing degree of realism to the production
but it allows these young people their own way to a better life. The film is
paced to near perfection always engaging the audience. One caveat though; there
are sub titles. Thankfully they are presented in such a fashion that they are
fun to watch. This was one of those movies that appear to come out of nowhere
and dominates the award season. In this particular case the plethora of
accolades are well deserved.
Fox has released this jewel of a film in both DVD and
Blu-ray packed with the usual extras. There is a commentary track featuring
Danny Boyle and Actor Dev Patel as well as a making of featurette and about a
dozen deleted scenes. The high def version also includes a digital copy of the
film. This is a life affirming movie that will quickly become a favorite.
Posted 06/01/09
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