One segment of the comedy genre is the ‘R’ rated
comedy. Typically these are puerile; filled with gross sexual and scatological
humor. The latest member of this less than illustrious club is ‘Strange
Wilderness’. This flick is cut from the same cloth as the plethora of others of
the ilk with nothing really presented to differentiate it from the pack. This is
actually an example of ‘idiot’ comedies. The whole premise, what there is of it,
is to make even the stupidest people in the audience feel superior to the morons
on the screen. Now there is actually a place for such a comedy. It is targeted
for a very specific demographic, high school and college aged guys. One reason a
film like this works for them is there is usually assistance by copious
quantities of alcoholic beverages and various psychotropic pharmaceuticals. If
you have to sit through a film like this without such means of mood and
perception alteration it will not seem funny. The ancillary audience that will
enjoy this is a group of grown men who are rained out of their weekly softball
game and have a couple of cases of beer and several pizzas at the ready. They
will be able to channel their inner frat boy and have a reasonable laugh. If
your wife or girlfriend walks out of the room rolling her eyes whenever a ‘Three
Stooges’ marathon comes on cable you can be certain that she will not like this
flick at all.
The film was written, and I use that term very
loosely, by Peter Gaulke and Fred Wolf. Gaulke wrote ‘Ice Age: The Meltdown’ a
sequel to the animated hit ‘Ice Age’ and was a staff writer on ‘Saturday Night
Live’ from 1995 to o1996 which some will argue was a lackluster year at best.
Wolf severed as SNL’s head writer for some four years and also wrote scripts for
movies featuring Saturday Night Live alumni such as ‘Joe Dirt’, ‘Dickie
Roberts’, ‘Dirty Work’ and ‘Without a Paddle’. If you are familiar with any or
all of these flicks you will see a trend here. Gaulke and Wolf are well trained
in stand up and short comedy skits but would seem to have some way to go with
writing a cohesive story to fill 90 minutes of film. Like there other flicks
this one is a string of sketches that were too raunchy for television. There is
so much ‘genital humor’ here that the drunkest guy watching will start to
cringe. Most of us will laugh, first making sure no one is watching, at a good
hit to the groin joke. Let’s face it this is why a lot of people still watch
‘America’s Funniest Home Videos’. But enough is enough. This plot device is
completely overused here to the point that an actual baseball bat to the crouch
would be a welcomed relief for the viewers.
Basically, the story, what there is of it, concerns
Peter Gaulke (Steve Zahn). He has inherited a wildlife television series from
his father; sort of the ‘Mutual of Omaha’ type show. While it was highly
successful under his father’s guidance Peter has run it into the ground for the
two years he has been in charge. The network executives have given Peter only
two weeks to turn the ratings around or they will cancel the series. This would
mean unemployment for Peter and his series sidekick and best friend Fred Wolf
(Allen Covert). He comes across an old map that is supposed to show the location
of Bigfoot in South America so Peter decides that that would may his series an
overnight sensation and save the day. He gathers together the typical ‘R’ comedy
troupe of losers, stoners and geeks and gets on the way. Joining Peter and Fred
are Cooker (Jonah Hill), Whitaker (Kevin Hefferman), Danny (Peter Dante) and
Junior (Justin Long). That is pretty much it. The dialogue is overly peppered
with the dreaded ‘F’ word and there are more poop jokes then present at a
drunken frat party. Considering all the injuries their crotches took during the
making of this film I sincerely hope they were not provided with padding or
other means of protection. This at least would ensure they do not continue as a
viable part of the gene pool. There is one scene where Peter has his member
stuck in the mouth of a turkey. A beautify and amply endowed nurse tries to
massage the turkey’s neck to free him but makes matters worse. Like too many SNL
skits this bit seems to go on endlessly with no hope of stopping.
The film was directed Wolf and the first sign of this
film going off track is the fact that the protagonists are directly named after
the co-writers. This is because the flick was originally a series of skits done
over several years. As the director it might seem that Wolf’s primary function
was to make sure the camera was pointed at the cast and the production assistant
in charge of rolling joints was on time for work. Speaking of the cast there are
some extremely strange choices for the ancillary parts. Ernest Borgnine, Joe Don
Baker and Harry Hamlin all make appearances here and hopefully have fired their
managers since. As with many little films Wolf did make sure that parts were
created for his wife Meg and their daughter Molly. Also present is Ashley Scott,
a beautiful and very talented actress. She was incredible in the now cancelled
CBS series ‘Jericho’ and plays a tomboyish addition to the stoner patrol. Her
main qualifications for this role is that she is blond and in possession of
breasts. How this film was made but ‘Jericho’ gets cancelled is a sad commentary
on the tastes of the American public. Long has a lot of experience playing
stoned out characters is the best of the male cast here. Now that his PC-Mac
commercials are back on the air hopefully he will still be able to get work.
Zahn is usually much better in parts like this. He has that slacker character
down pat but here there are too many improvisation group comedians here so his
abilities are washed out.
One last thing here; this film is released to DVD by
Paramount. Please do not hold this against them. They have one of the finest
catalogues of films and televisions series sets available on disc. Even the best
home run slugger in professional baseball will strike out once in awhile. This
is the case here with Paramount.