A new trend seems to be developing in Hollywood, well, not
really all that new but it has become noteworthy; resurrecting action
franchises. Indiana Jones came out of retirement to pick up his whip and hat for
another adventure while John McClane charged back into the fray for another
fight against terrorist. These characters were only flesh and blood; subject to
the ravages of time. It is only natural that a killer cybog from the future
should want to get in on the new box office by waging another battle against
humanity. The result is the latest franchise that can’t die’ ‘Terminator
Salvation’. Many fan counted this franchise down and out after the lackluster
reception for the third movie and the ill fated attempt to migrate the story
line over to a weekly television series. Like the unstoppable killing machines
at the center of the story this franchise just keeps getting knocked down but
keeps getting back up. At this point the timeline has been rebooted more
frequently that a Wintel desktop and fans remain loyal to the cause. Concurrent
to the release of the film is yet another fast paced violence oriented video
game. This installment of the saga makes every effort to return to a story line
instead of just mindless action. This film also endeavors to rekindle fan
interest by concentrating on a part of the time line was many of the elements
vital to the core story are originated. Unfortunately, the magic ingredient
required by this franchise resides in the talents of Linda Hamilton and Arnold
Schwarzenegger. No incarnation of the tale that does not combine their talents
seems doomed and this film just provides further proof of that proposition. This
may be the final rise of the machines and diehard fans will want it if only for
completeness.
Directing this flick is McG who made his film directorial mark
with the ‘Charlie's Angels’ flicks. Aside from that he has returned to his music
video roots adding several pop culture oriented prime time teen soap operas.
This may help explain one of the major faults in the movie. While McG is
extremely accomplished and respected in his type of material, pure action movies
and music videos are not exactly known for stressing content and when you think
about it in those particular venues stories are not the most important element
of the production. With that in mind the movie can be said to succeed as a big
budget pop corn flick well suited for an afternoon with the guys or movie night
at home, just keep in mind the flick was rated ‘R’ for violence and the
Director’s cut included in the Blu-ray version goes beyond that so wait for the
younger family members to visit Grandma. Also keep in mind the film is extremely
laud and will give your home theater audio system a true work out. In fact this
is a movie that will become your go to source to show off your high def system
to your friends.
One of the details that fans have been clamoring to have
revealed is just how the Terminators came into existence. This movie does afford
a scaffold to relate the desired information. Back in 2003 research scientist
Doctor Serena Kogan (Helena Bonham Carter) is working for Cyberdyne Systems
trying to create a working cybernetic organism; part human, part machine. She
recruits an inmate on death row, Marcus Wright (Sam Worthington) who signs away
his body for use in her experiments. A year passes after his execution by the
State and Skynet activates initiating Judgment Day wiping out most of humanity.
John Connor (Christian Bale) rises as a leader of the meager resistance
movement. John comes out of hiding and returns to the center of the resistance
by means of a captured nuclear submarine which does tie in to the television
series. Meanwhile, Skynet needs a more efficient way of uncovering and
exterminating the last remnant of mankind. They use the bodies of human
prisoners to create the line of Terminators. Wright eventually survives an
explosion eventually help John fight the machines. Don’t expect a lot of
exposition other than the superficial amount offered. As far as acting goes Bale
is stuck in one emotional state; unbridled rage requiring little more than him
shouting at the top of his lungs for the majority of his screen time.