So often in life we pause and wonder what it would
have been like if we made some different decisions. Many of us had dreams of
greatness in our youth that gave way to the stability required but adult
responsibilities. Over the years there have been many films that have dealt with
this subject. Most are the type that is typically described as ‘a feel good
flick’. You all know the kind of movie; the protagonist is a down trodden sort
of fellow who has a good job but one that doesn’t satisfy him. He manages to
break away from the doldrums of his life and follow his dream. ‘Rocky’ was such
a flick. Taking the premise to a darker direction was another classic, ‘American
Beauty’. A new variation of the theme is now out on DVD, ‘The Hammer’. In this
flick a carpenter wants to be a professional boxer. I can understand this desire
in theory but why anyone would want to give up a lucrative union trade like
carpentry to step into a ring and get punched is beyond my own idea of chasing
your dream. Still, it is a viable plot and for a lot of people something that
completely makes sense. What you get with this film is a comedy that has heart.
While it will never appear on anyone’s top ten lists it is a fun movie to watch.
Sometimes it is okay to take a subject that is usually handled in a more serious
vein and poke a little fun at it. The DVD of this film is being released by
Genius Pictures and the Weinstein Company. While not intended for the whole
family it is just the silly kind of flick that can help you out your own
work-a-day woes to the side for a little while.
When I first received the preview of this movie I
thought it was just another man goes out for his sports world glory movie. When
I then noticed that it was co-written by and starred Adam Carolla I thought to
myself that this is going to be juvenile nonsense. I have to admit that I was
pleasantly surprise just how good this movie actually was. The main reason for
this initial judgment should be obvious for anyone who has seen the previous
works of Mr. Carolla. He is usually rude, crude, socially unacceptable and
extremely politically incorrect. From his snide comments in his sex advice show,
‘Lovelines’ to the misogynistic comments on ‘The Man Show’ he never came across
as a man who can write comedy such as is demonstrated in this film. He furthered
this opinion with his work of two of the most explicit series on Comedy Central,
‘Crank Yankers’ and ‘Drawn Together’. With this script Carolla shows a much
different side to his talent. He was always funny in the same way that the kid
in junior high school was when he told the first dirty jokes you ever heard. The
thing is Carolla demonstrates something that turns out to be true a lot. The
comedian with the lowest form of humor is frequently smart and witty in other
ways. Just look at W.C. Fields. He was crude by the standards of his day but in
real life the man was smart and one of the sharpest comedians around. Here he
takes his deadpan approach to humor and twists it around so that the audience
actually finds itself caring about what happens to the lug in the movie. he
co-authored the script with Kevin Hench who has previously worked as a producer
for several projects with Coralla and his long time friend Jimmy Kimmel.
Together they created a story that works well. First of all the story is not
pretension; it has not intent on being great. They wanted to make something that
will give the audience a good time and reach that goal well. This is so much
better than all the film out to reinvent cinema that never reach their
potential. This is a blue collar story that most people will readily identify
with.
Directing this modest movie is Charles Herman-Wurmfeld.
He is best known for taking the helm in the Indy darling ‘Kissing Jessica
Stein’. He also directed a failed TV plot of ‘Legal Blonde’ and after that the
sequel ‘Legally Blonde 2: Red, White and Blonde’. He also worked with series
like ‘Stella’ and ‘So NoTORIous’ the man knows his way around people skilled in
strange improvisational skills. Here he has a laid back style reminiscent of
some of the older independent films. Nothing is forced or contrived. The movie
is paced in a relaxed fashion that draws the viewers in and holds them there.
Herman-Wurmfeld doesn’t rely on the usual Indy director’s tricks with fancy
camera work or stunning use of lighting. There is such a natural feel here that
you get the sense of eavesdropping on the characters.
Jerry Ferro (Adam Carolla) is a carpenter by trade. At
one time he was a contender in the boxing ring. He never forgot the thrill and
excitement that the sport brought to him. Now the closest thing he has to
connect him to those old glory days is a part time job teaching boxing at a
local gym. One day he has a training bout with a promising young boxer and much
to his delight and surprise he wins. The bout was seen by a trainer, Eddie Bell
(Tom Quinn), who sees something still there in Jerry. This gives him the idea to
train for the American Olympic boxing team. His best friend Oswaldo Sánchez (Oswaldo
Castillo) gets on board and offers his help in training Jerry and providing the
often needed encouragement. This decision doesn’t sit well with the top
contender Robert Brown (Harold House Moore) who wants nothing more than to see
this nobody fall flat on his face and fail.
Admittedly this is not the most complex story out
there. Holding the film together are the many sight gags and physical humor
which is nearly perfectly executed. Most think of Carolla as a verbally based
comedian but this flick shows he knows his way around this physically demanding
brand of humor. The main thing in this movie’s corner is the commitment Carolla
has for it. Reportedly he put up a lot of his own money to make sure there was a
limited theatrical release instead of going direct to video. He also does what
any writer will tell you is key to a good story; write about what you know.
Among the myriad of jobs Carolla has held in his life he was a carpenter. He
actually built the gym used in the movie. He also was an armature boxer and
Golden Glove contender. This made it a lot easier for Carolla for fit so
seamlessly into this role.
Genius Productions and the Weinstein Company bring
this to DVD with the flair it deserves. It features an anamorphic video
accompanied by a Dolby 5.1 soundtrack. Both are excellent. As for extras there
are more than enough to keep you happy. There is a very funny and informative
commentary track with Carolla and co-executive producer Kevin Hench. Another
featurette offers a little talk with Carolla and Oswaldo Castillo that will make
you laugh out loud. Add to this some deleted scenes and outtakes and a behind
the scenes look and you have a very entertaining evening. This may seem strange
but this is one to take home and enjoy.