Thirteen, the start of the turbulent teenage years, typically a very
difficult and explosive time, not only for the new teenager but for the parents
as well. Many films have taken on this rite of passage, some with a comic
approach, others a more bitter sweet one. With the new film ‘Thirteen’ we see
this tumultuous period in the first person, through the eyes of a girl that has
just turned thirteen. The screenplay for this film was co-written by Nikki Reed
when she was just thirteen; she acted in the film at the ripe old age of
fourteen. This in itself provided a degree of realism that has rarely been seen
on the screen. Ms Reed plays Evie, a parent’s worse nightmare. She comes into
the life of Tracy (Evan Rachel Wood), ostensibly a good, mild mannered girl and
changes things for the worse. The two girls attend a progressive junior high
school, something that is becoming more common now. We know how progressive it
is since class assignments include reports on popular pop culture icons. Evie is
one of the popular crowd, that group of kids at school that everyone wants to
be. She has attained this distinction which her cool, mostly stolen clothing,
dismissive attitude and apparent knowledge of sex. As Tracy is pulled deeper
into the influential sphere of Evie we witness first hand the destruction of a
typical good girl, a fall from grace that every parent worries about. We the
adults in the audience get a character to identify with, Tracy’s mother played
by Holly Hunter. Wrapped up in her own problems she is not able to compete with
the overwhelming new influences coming to a focus on her daughter. As adults
time has distanced us from the feelings a thirteen year old experience. Perhaps
as we become adults a sort of amnesia takes over and we forget the incredible
power peer pressure exerts. When I was this age the major concern was that new
pimple and the H-Bomb, well, at least that is how I remember it. Having a
daughter that is just passing out of the teens it would appear that the social
pressures today are fundamentally the same only incredibly escalated by the ever
present media that dominates teens today. It starts with a new bracelet, a
different top and jeans, perhaps a strange piercing, small things that taken by
themselves seem innocent but actually betray the child’s need for social
acceptance. Here we witness this power as Evie draws Tracy along to the heights
of popularity, the Holy Grail for the teenager.
Strange that Ms Reed did not play ‘herself’ in this film. She lived the role
of Tracy and perhaps the power of her performance comes from acting out the
influences she experienced from her own Evie. In any case her presentation here
is nothing sort of incredible. There is an innate drive and emotionally
commitment to her role. Having lived the story Reed gives the audience an
unvarnished look into this life. Her on screen chemistry with co-star Evan
Rachel Wood is convincing. It is natural that the two bond so fast and closely.
Tracy wants to be like Evie and Evie needs to feel wanted. This strange
mentor-student relationship is the definition of codependency. Once Evie all but
moves in with Tracy the few restrictions she had are gone and the spiral
deepens, fast. As a parent I found the performance by Holly Hunter the most
frightening. She wants to be a good mother, to provide for her daughter but she
is trapped in the situation. In order to provide for Tracy she has to all but
ignore her. Hunter plays the single mother without apology, in a very mater of
fact way that so many are forced to live. Somewhat like the mother in ET, Hunter
is unaware of what is actually going on until it is long past the time for
realistic intervention.
The film was directed by co-author Catherine Hardwicke. She apparently
respected the input from her young writing partner and in this freshman
directing effort the results are brilliant. The story is told in an episodic
fashion, perfectly reflecting the moments of a teenager’s life that affect its
course. The film is gritty, the opposite of how we want to view our children.
The overt drug and sexual experimentation may make us cringe, but it is so well
staged that we cannot help but to continue to watch. I couldn’t help comparing
this film to the 1995 Larry Clark opus, Kids. Like Kids it shows just how little
influence we have over our kids, television, music videos and movies do far more
to shape how they want to live. The film received a well deserved ‘R’ rating
which ironically precludes the age group concerned from seeing it without a
parent present (well at least in theory). There is almost a documentary feel to
this work. The lighting is natural, nothing seems overly set up.
The use of the color palette is excellent, from the drab
colors used in the beginning and end of the film to the golden peak times and
garish over saturation as the girls circle the drain. Color here is a visual
indication of the emotional state of the characters. The composition
of each frame is so well done that it is difficult to believe that this is the
first film directed by Ms Hardwicke.
The DVD is better done than most independent films are afforded. It’s better
than many main stream films get. It is presented in both an anamorphic 1.85:1
version with a separate full screen version available. Both have commentaries by
the two co-authors, Hardwicke and Reed as well as one featuring co-star Evan. I
would have liked the viewpoint of Holly Hunter, just to give the other
perspective. There are a couple of deleted scenes with an optional commentary
and a couple of Easter Eggs for you to find. Add to this a making of featurettes
and you have a full and encompassing experience. The audio is presented in a
full Dolby 5.1. The provided sound field gives a realistic ambience. The video
is gritty at times, underlying the dire circumstances of the characters. While
this is a difficult film to watch it represents an important milestone in
American cinema. For once the topic of coming of age is seen fully from the
teen’s perspective. The unblinking eye here may not display what you wan to see
but it is what is going on in the lives of our children.
Posted 12/18/03