At one time the vampire was a hideous, misshapen monster roaming the night
searching for hapless victims, draining their life’s blood to perpetuate the
undead existence of the creature. Slowly over the last couple of decades the
vampire has been transformed changing from villain to a romantic leading man.
They have become the undisputed sex symbol for the millennium. On the surface
this may seem strange but there are elements of the classic vampire that are
conducive to being ‘sexy’. They can move about only at night making them dark,
mysterious and exotic. Added to this there is that whole drinking blood thing.
In almost every human culture there is some form of vampire myth. Just as
universal is how blood is held as equivalent to life. This just reinforces the
contrast of danger and allure held by vampires in storytelling. Most recently
the trend of romantic vampires has taken on the most lucrative and explosive
markets in entertainment; the tweens. These not quite teenaged youngsters
control billions in revenue and the studios have noticed. In the venue of
premium cable networks the latest entry is also one of the best, HBO’s ‘True
Blood’. Once again there tagline ‘it’s not television, it’s HBO’ is proven true.
This turned out to be one of the most imaginative and well presented new series
to come around in a very long time.
When I first heard about this show I have to admit I
was intrigued but I figured it would be a standard fantasy thriller or at worse
a sappy romance, I am extremely glad to report I was wrong. This series
transcends the confines of a single genre, effortlessly combining contemporary
fantasy, gothic horror and romance with just the right touch of mystery. The
basis of the story comes from the popular Southern vampire mystery novels by
Charlaine Harris. The first season roughly follows the events and characters in
the book titled ‘Dead until Dark’. The novels had sufficient popularity that
several production companies were busy wooing Ms Harris. Ultimately the rights
went to a creative mind with a proven track record with the dead; Alan Ball. For
five years his previous series, ‘Six feet under’ was one of the most lauded
shows on HBO. In it Ball refined his trademark style that bends unusual
situations with novel, quirky characters the result is a level of quality that
we have come to expect from HBO. The stories are much more textured then typical
for television. The character development starts off slowly allowing the
audience to acclimate to the bayou setting and Cajun affectations of the
characters. This provides a rich backdrop for Ball and his talented writing
staff to weave a complex, rich tapestry. A small town in Louisiana is just right
for a vampire based romantic mystery
The story has a fascinating premise. Two years prior
to the start of the series the Japanese invented a perfect substitute for human
blood. The marketing implications were much broader than they could have
envisioned. This substance, ‘Tru Blood’ allowed the underground vampire
community to reveal their existence and come out of the coffin as it would be
called. This permits the series to take on the much deeper and socially
significant issue such as equal rights, defining marriage and prejudice. This is
done by relating the vampire rights legislation to the civil rights movement of
the sixties and the current battle for gay rights. They even show a reactionary,
evangelical faction who proclaim ‘God hates fangs’. There is a memorable line
where a human tells a vampire there is a reason things are the way they are. The
vampire simply states ‘yes, it’s called injustice. Despite the gravitas of the
underlying social commentary Ball never loses sight of what is most important;
telling an engrossing story.
Bon Temp, Louisiana is a small town like hundreds of
others in the American south. For most people the revelation that vampires exist
in our communities was just an item on the news and a topic for idyll
discussion, at least until a couple of events forced the issue to the top of
every conversation. A couple of local young women are found strangled to death.
The only thing that ties them together is the fact they recently had sex with
the local lothario, Jason Stackhouse (Ryan Kwanten) and they all had fresh
vampire bite marks. The women were ‘fang bangers’; humans into sex with
vampires. Jason is ready to jump in bed with any young woman around but he is
not the killer type and even his best friends would describe him as dumber than
a sack of hammers. Most of the series centers on Jason’s sister Sookie (Anna
Paquin) who works as a waitress at the local bar and grill, Merlotte’s with her
best friend Tara Thornton (Rutina Wesley). Life for everybody changes when s
vampire, Bill Compton (Stephen Moyer), comes to town. He is trying to
‘mainstream’, live like a regular person but that is made exceedingly difficult
by both the humans and other vampires. Naturally, speaks fly immediately as soon
as he and Sookie meet. Just a word of warning to the guys out there; this show
will raise the romantic bar considerably with your wife or girlfriend. In one
scene Bill goes out in the sunlight to save Sookie, his flesh burning off as he
struggles to reach her. Now that is love and commitment.
Typical of a production Alan Bell this show attracted
an incredible cast. Anna Paquin is the second youngest actress ever to take home
an Academy Award. She is well known for her role in the first three ‘X-men
flicks and commands every scene she is in. Here, one of the main attractions
Sookie has for Bill is unusual and requires the skill level Paquin brings to
bar. Sookie can read minds; something that made it impossible to form a romantic
relationship. She is not able to hear Bill’s thoughts m on another level, making
him mysterious on another level. Moyer’s portrayal of Bill is simply spot on. He
is a man out of place in time with the manners and breeding of an old school
Southern gentleman. This also gives the feel of ‘Beauty and the Beast’; a
perennial favorite romantic theme.
Watching the series each week during its original was
a whole lot of fun but the home theater release kicks the experience up to a
whole new level. For high end cable the best you can hope for is 1080i and Dolby
5.1. With the Blu-ray release the upgrade to 1080p and DTS-HD MA 5.1 is
staggering. There is a level of realism is something that will make showing off
your system a joy. The new extras are among the most imaginative I have ever
seen adding a new degree of understanding and enjoyment. One of the best are
little side video comments made by Nelsan Ellis in his flamboyant series persona
of Lafayette Reynolds
This is one of the best things to come along in a very long while and resets the
bar for vampire fiction.
Get the dirt on everyone in town when Lafayette lets
loose with secrets about Tara's unrequited crush on Jason, they history of the
Stackhouse of Bon Temps and more! - Take a bite out of True Blood history and
find out how your favorite vampires were "made"
- Read helpful hints and FYI's that pop up to unravel
mysteries
- Explore the colorful locations of Bon Temps with
animated maps
- Watch a vampire documentary, Tru Blood commercials
and vampire rights public service announcements
- Six audio commentaries with the cast and crew,
including Executive Producer and Creator Alan Ball, Anna Paquin (Sookie) and
Stephen Moyer (Bill)